Curll and The Dunciad
Pope and Curll tangled again in 1726, when he published some of Pope's letters without authorization. Pope avenged himself by having Curll figure very prominently in the 1728 Dunciad. In fact, no figure, including the "King of Dunces" Lewis Theobald (nor, later, Colley Cibber) is ridiculed as consistently and viciously in Dunciad as Edmund Curll. Curll's response was to print a pirate edition, then to produce a "Key" to the poem to explain all the people Pope attacked, and then to publish reply poems that were attacks on Pope personally. The Popiad, written possibly by Lady Mary Wortley Montagu, The Female Dunciad, and The Twickenham Hotch-Potch all came out in 1728 as answers. In 1729, Pope's Dunciad Variorum took further, prose swipes at Curll, and Curll produced The Curliad: a Hypercritic upon the Dunciad Variorum. It contained an autobiography, a defense against charges of obscenity (explaining that the flogging text had been meant as a cure for impotence), and a defense of his actions with Pope.
Later in 1729, Curll set out to publish a volume of William Congreve. John Arbuthnot complained in the press of Curll's action, so Curll renamed his shop "Congreve's Head" and put up a bust of Congreve to spite Arbuthnot and Congreve's friends. In 1731 he moved shops to Burleigh Street and advertised an upcoming life of Pope, saying, "Nothing shall be wanting but his (universally desired) Death." In response to his call for materials, a person known as "P.T." offered Curll some Pope letters. The letters, however, were fakes, and the entire offer had been a set-up by Pope, who published a corrected version of his letters in 1735. Curll moved his shop again in that year and called it "Pope's Head" and sold under the sign of Pope. Two years later, he published five volumes of Pope's letters. In 1741, Pope finally prevailed against Curll in the courts. A court ruled that letters affix copyright to the author, although a recipient of a letter has no copyright status.
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