Edie Adams - Television

Television

  • Three to Get Ready (1951–1952)
  • Ernie in Kovacsland (1951) (a summer replacement show)
  • Kovacs On the Corner (1952) (canceled after 3 months)
  • The Ernie Kovacs Show (1952–1956)
  • Appointment with Adventure (1955)
  • The Guy Lombardo Show (1956)
  • Cinderella (1957)
  • The Garry Moore Show (1958)
  • The Gisele MacKenzie Show (1958)
  • The Pat Boone Chevy Showroom (1958)
  • The Dinah Shore Chevy Show (1958)
  • The Art Carney Show (1959-premiere)
  • Lucy-Desi Comedy Hour (1960)
  • Take a Good Look (panelist from 1960–1961)
  • The Spiral Staircase (1961)
  • Here's Edie (1963–1964)
  • Evil Roy Slade (1972)
  • Cop on the Beat (1975)
  • Superdome (1978)
  • Fast Friends (1979)
  • The Seekers (1979)
  • Kate Loves a Mystery (1979)
  • Make Me an Offer (1980)
  • Portrait of an Escort (1980)
  • A Cry for Love (1980)
  • The Haunting of Harrington House (1981)
  • As the World Turns (cast member in 1982)
  • Shooting Stars (1983)
  • Ernie Kovacs: Between the Laughter (1984)
  • Adventures Beyond Belief (1987)
  • Jake Spanner, Private Eye (1989)
  • Tales of the City (1993 miniseries)
  • Great Performances: Rodgers and Hammerstein's 'Cinderella' (2004) (TV series)

Read more about this topic:  Edie Adams

Famous quotes containing the word television:

    “Television is an excellent system when one has nothing to lose, as is the case with a nomadic and rootless country like the United States, but in Europe the affect of television is that of a bulldozer which reduces culture to the lowest possible denominator.”
    —Marc Fumaroli (b. 1932)

    “So by all means let’s have a television show quick and long, even if the commercial has to be delivered by a man in a white coat with a stethoscope hanging around his neck, selling ergot pills. After all the public is entitled to what it wants, isn’t it? The Romans knew that and even they lasted four hundred years after they started to putrefy.”
    —Raymond Chandler (1888–1959)

    “In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
    —New Yorker (April 23, 1990)