Eddie Lang - Influence and Legacy

Influence and Legacy

Lang's compositions, based on the Red Hot Jazz database, included "Wild Cat" with Joe Venuti, "Perfect" with Frank Signorelli, "April Kisses" (1927), "Sunshine", "Melody Man's Dream", "Goin' Places", "Black and Blue Bottom", "Bull Frog Moan", "Rainbow Dreams", "Feelin' My Way", "Eddie's Twister", "Really Blue", "Penn Beach Blues", "Wild Dog", "Pretty Trix", "A Mug of Ale", "Apple Blossoms", "Beating the Dog", "To To Blues", "Running Ragged", "Kicking the Cat", "Cheese and Crackers", "Doin' Things", "Blue Guitars", "Guitar Blues" with Lonnie Johnson, "Hot Fingers", "Have to Change Keys to Play These Blues", "A Handful of Riffs", "Blue Room", "Deep Minor Rhythm Stomp", "Two-Tone Stomp". "Midnight Call Blues", "Four String Joe", "Goin' Home", and "Pickin' My Way" (1932) with Carl Kress.

Jazz guitarist George Van Eps assessed the legacy of Eddie Lang: "It's very fair to call Eddie Lang the father of jazz guitar". Barney Kessel noted that "Eddie Lang first elevated the guitar and made it artistic in jazz." Les Paul acknowledged that "Eddie Lang was the first and had a very modern technique." Joe Pass, in a 1976 interview, stated that Lang was one of the three main guitars innovators, along with Wes Montgomery and Django.

In 1977, Lang's recording of "Singin' the Blues" with Frankie Trumbauer and His Orchestra featuring Bix Beiderbecke on cornet was inducted into the Grammy Hall of Fame.

In 1986, Lang was inducted into the Big Band and Jazz Hall of Fame.

Read more about this topic:  Eddie Lang

Famous quotes containing the words influence and, influence and/or legacy:

    ... even I am growing accustomed to slavery; so much so that I cease to think of its accursed influence and calmly eat from the hands of the bondman without being mindful that he is such. O, Slavery, hateful thing that thou art thus to blunt the keen edge of conscience!
    Susan B. Anthony (1820–1907)

    I think of consciousness as a bottomless lake, whose waters seem transparent, yet into which we can clearly see but a little way. But in this water there are countless objects at different depths; and certain influences will give certain kinds of those objects an upward influence which may be intense enough and continue long enough to bring them into the upper visible layer. After the impulse ceases they commence to sink downwards.
    Charles Sanders Peirce (1839–1914)

    What is popularly called fame is nothing but an empty name and a legacy from paganism.
    Desiderius Erasmus (c. 1466–1536)