Authored Books and Novels
Beginning in the early 1960s, Wood wrote at least 80 lurid crime and sex novels in addition to hundreds of short stories and non-fiction pieces for magazines. Titles include Black Lace Drag (1963) (reissued in 1965 as Killer in Drag), Orgy of the Dead (1965), Devil Girls (1967), Death of a Transvestite (1967), The Sexecutives (1968), The Photographer (1969), Take It Out in Trade (1970), The Only House in Town (1970), with Uschi Digard, Necromania (1971), The Undergraduate (1972), A Study of Fetishes and Fantasies (1973), and Fugitive Girls (1974). (In Nightmare of Ecstasy, Maila Nurmi declined Wood's offer to do a nude scene sitting up in a coffin for Necromania.)
In 1965, Wood wrote the quasi-memoir, Hollywood Rat Race (published in 1998). In it, Wood advises new writers to "just keep on writing. Even if your story gets worse, you'll get better", and also recounts tales of dubious authenticity, such as how he and Bela Lugosi entered the world of nightclub cabaret.
In a December 2010 published article at Mondo Film & Video Guide, indie print publisher Feral House, who in the last few years had re-printed dozens of Wood's novels, ended sales on all Wood titles when Wood's estate requested a cease and desist due to uncertainty about whether Wood wrote all the novels published under his name or not.
Read more about this topic: Ed Wood
Famous quotes containing the words books and/or novels:
“For books are not absolutely dead things, but do contain a potency of life in them to be as active as that soul was whose progeny they are; nay, they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them. I know they are as lively, and as vigorously productive, as those fabulous dragon’s teeth; and being sown up and down, may chance to spring up armed men.”
—John Milton (1608–1674)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)