Decoration and Symbolism
In the Orthodox and Eastern Catholic Churches, Easter eggs are dyed red to represent the blood of Christ, shed on the Cross, and the hard shell of the egg symbolized the sealed Tomb of Christ — the cracking of which symbolized his resurrection from the dead. Easter eggs are blessed by the priest at the end of the Paschal Vigil (which is equivalent to Holy Saturday), and distributed to the faithful. Each household also brings an Easter basket to church, filled not only with Easter eggs but also with other Paschal foods such as paskha, kulich or Easter breads, and these are blessed by the priest as well.. The egg is seen by followers of Christianity as a symbol of resurrection: while being dormant it contains a new life sealed within it.
Similarly, in the Roman Catholic Church in Poland, the so-called święconka, i.e. blessing of decorative baskets with a sampling of Easter eggs and other symbolic foods, is one of the most enduring and beloved Polish traditions on Holy Saturday.
During Paschaltide, in some traditions the Pascal greeting with the Easter egg is even extended to the deceased. On either the second Monday or Tuesday of Pascha, after a memorial service people bring blessed eggs to the cemetery and bring the joyous paschal greeting, "Christ has risen", to their beloved departed (see Radonitza).
Easter eggs are a widely popular symbol of new life in Bulgaria, Poland, Romania, Russia, Ukraine, and other Central European countries' folk traditions. A batik (wax resist) process is used to create intricate, brilliantly colored eggs, the best-known of which is the Ukrainian pysanka and the Polish pisanka. The celebrated Fabergé workshops created exquisite jewelled Easter eggs for the Russian Imperial Court. Most of these creations themselves contained hidden surprises such as clock-work birds, or miniature ships. A 27-foot (9 m) sculpture of a pysanka stands in Vegreville, Alberta.
There are many other decorating techniques and numerous traditions of giving them as a token of friendship, love or good wishes. A tradition exists in some parts of the United Kingdom (such as Scotland and North East England) of rolling painted eggs down steep hills on Easter Sunday. In the U.S., such an Easter egg roll (unrelated to an eggroll) is often done on flat ground, pushed along with a spoon; the Easter Egg Roll has become a much-loved annual event on the White House lawn. An Easter egg hunt is a common festive activity, where eggs are hidden outdoors (or indoors if in bad weather) for children to run around and find. This may also be a contest to see who can collect the most eggs.
When boiling eggs for Easter, a popular tan colour can be achieved by boiling the eggs with onion skins. A greater variety of colour was often provided by tying on the onion skin with different coloured woollen yarn. In the North of England these are called pace-eggs or paste-eggs, from a dialectal form of Middle English pasche. They were usually eaten after an egg-jarping (egg-tapping) competition.
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Famous quotes containing the words decoration and, decoration and/or symbolism:
“If there be any man who thinks the ruin of a race of men a small matter, compared with the last decoration and completions of his own comfort,who would not so much as part with his ice- cream, to save them from rapine and manacles, I think I must not hesitate to satisfy that man that also his cream and vanilla are safer and cheaper by placing the negro nation on a fair footing than by robbing them.”
—Ralph Waldo Emerson (18031882)
“If there be any man who thinks the ruin of a race of men a small matter, compared with the last decoration and completions of his own comfort,who would not so much as part with his ice- cream, to save them from rapine and manacles, I think I must not hesitate to satisfy that man that also his cream and vanilla are safer and cheaper by placing the negro nation on a fair footing than by robbing them.”
—Ralph Waldo Emerson (18031882)
“...I remembered the rose bush that had reached a thorny branch out through the ragged fence, and caught my dress, detaining me when I would have passed on. And again the symbolism of it all came over me. These memories and visions of the poorthey were the clutch of the thorns. Social workers have all felt it. It holds them to their work, because the thorns curve backward, and one cannot pull away.”
—Albion Fellows Bacon (18651933)