East India - Music

Music

Odissi music is a classical music in India originated from the eastern state of Orissa. Indian Classical music has five significant branches: Avanti, Panchali, Udramagadhi, Hindustani and carnatic. Of these, Udramagadhi exists in the form of Odissi music. Generally, Odissi is one of the classical dances of India performed with Odissi music. Odissi music got shaped during the time of famous Oriya poet, Jayadeva, who composed lyrics meant to be sung. By the 11th century AD folk music of Orissa existing in the form of Triswari, Chatuhswari, and Panchaswari was modified into the classical style. However, Odissi songs were written even before the Oriya language developed. Odissi music has a rich legacy dating back to the 2nd century BCE, when king Kharvela, the ruler of Orissa (Kalinga) patronized this music and dance.

Like Hindustani and Carnatic systems, Odissi music is a separate system of Indian classical music and is having all the essential as well as potential ingredients of Indian Classical form. But it has not come to limelight due to apathy from the time of British rule in Orissa, want of its proper study, revival, propagation, etc. Despite the fact, the traditional music form could be saved and maintained in its pristine form. Thanks to the musicians particularly of Jaga Akhadas of Puri district, who could develop and maintain the music. The music movement of Orissa, however, took a different turn after independence.

Like other aspects of her culture, music of the sacred land (Orissa) is charming, colourful, variegated encompassing various types. The existing musical tradition of Orissa, the cumulative experience of the last two thousand five hundred years if not more, can broadly be grouped under five categories such as: (1) Tribal Music, (2) Folk Music, (3) Light Music, (4) Light-Classical Music, (5) Classical Music, which need a short elucidations for better understanding the subject in all India context.

The tribal music as the title signifies is confined to the tribals living mainly in the hilly and jungle regions and sparsely in the coastal belt of Orissa. It is interesting to note that Orissa has the third largest concentration of tribes constituting about one fourth of the total population. They are distributed over 62 tribal communities.

Orissa is the treasure house of Folk Songs which are sung on different festivals and specific occasions in their own enjoyment. Folk music in general is the expression of the ethos and mores of the folk communities. Of the bewildering variety of folk music of Orissa, mention may be made of Geeta, Balipuja Geeta, Kela Keluni Geeta, Dalkhai Geeta, Kendra Geeta, Jaiphula Geeta, Ghumura Geeta, Ghoda Nacha and Danda Nacha Geeta, Gopal Ugala and Osa-Parva-Geeta etc.

Bhajan, Janan, Oriya songs based on ragas, Rangila Chaupadi etc. are grouped under Light classical music, which forms an important segment of Orissan music. Sri Geetagovinda, Anirjukta Pravadha, Divya Manusi Prabandha, Chautisa, Chhanda, Chaupadi (now known as Odissi), Champu, Malasri, Sariman, Vyanjani, Chaturang, Tribhang, Kuduka Geeta, Laxana and Swaramalika are the various sub-forms, which individually or collectively constitute the traditional Odissi music. These sub-forms of the traditional Odissi music, can be categorised under the classical music of Orissa.

Panchali is a form of narrative folk songs of the Indian state of West Bengal.The word Panchali probably originates from panchal or panchalika, meaning puppet. According to another school of that, Panchali originates from the word panch, which means five in Bengali language, referring to the five elements of this genre: song, music, extempore versifying, poetic contests, and dance.

Bihar is among the few Indian states which has a rich subaltern culture. The region's folk songs are associated with the various events in the life of an ordinary person. There are songs like sohar - performed during childbirth, sumangali - associated with wedding, ropnigeet - performed during the season of sowing paddy, katnigeet - performed during the paddy harvesting season, purbi, chaita, hori, bidesia, ghato, birha, kajari, irni/ birni, pachra, jhumar, jatsari, aalah, nirgun, and samdaun. There is also the tradition of war songs called Beer Kunwar.

The influence of Bihari music in seen in regions such as Mauritius, South Africa and the Caribbean, where a large of Bihari indentured labourers were taken as coolies during the nineteenth century.

There is a great tradition of folk songs started by Bhikhari Thakur, the redoubtable artist from the Bhojpur region.

Songs written by Maithili poet Vidyapati are famous in the Mithila Region.

Other wandering folk singers include the Kathaks, who travelled in groups and performed accompanied by dholak, sarangi, tamburu and majira. Other musician classes included Roshan Chouki, Bhajaniya, Kirtaniya, Pamaria and Bhakliya.