Setting
Early in the 21st century, a race of aliens, the Taelons, arrive on Earth. In exchange for being allowed to take refuge on our planet, the Taelons offer the people of Earth access to their advanced technology. As a result, disease, war and pollution are nearly eliminated. Despite all these advances, there are some people who think the Taelons are not as benevolent as they seem. A resistance movement is organized.
Ultimately, it is discovered that the Taelon aliens are not purely evil, nor are they actually trying to "conquer" the world (except Zo'or, the main antagonist in seasons 2–4). They can no longer reproduce: Da'an was the last Taelon to have a child (Zo'or was the last child to be born but Zo'or is barren) and are on the verge of extinction. Their initial goal is to see if they can use humanity to extend their lives. However, they do have a hidden agenda: to bioengineer the human race to help fight their mortal enemy, the Jaridians (who are of Taelon origin). In doing so, they have no problem violating human civil liberties to reach their goals. The Jaridians believe that the Taelons' inability to reproduce is psychological.
Read more about this topic: Earth: Final Conflict
Famous quotes containing the word setting:
“Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as “not black enough.” ...Our concept of black experience has been too narrow and constricting.”
—bell hooks (b. c. 1955)
“When I consider the clouds stretched in stupendous masses across the sky, frowning with darkness or glowing with downy light, or gilded with the rays of the setting sun, like the battlements of a city in the heavens, their grandeur appears thrown away on the meanness of my employment; the drapery is altogether too rich for such poor acting. I am hardly worthy to be a suburban dweller outside those walls.”
—Henry David Thoreau (1817–1862)
“The new sound-sphere is global. It ripples at great speed across languages, ideologies, frontiers and races.... The economics of this musical esperanto is staggering. Rock and pop breed concentric worlds of fashion, setting and life-style. Popular music has brought with it sociologies of private and public manner, of group solidarity. The politics of Eden come loud.”
—George Steiner (b. 1929)