Works
- Home Burial (1949), for piano
- Three Pieces for Piano (1951)
- Music for Violin, Cello & Piano (1952)
- Perspectives (1952), for piano
- Twenty-Five Pages (1953), for 1-25 pianos
- Octet I (1953), for eight loudspeakers
- Indices (1954), for chamber orchestra
- Forgotten Piece (1954), for piano
- Folio and 4 Systems (1954), for variable instrumentation
- Indices (1954)
- Octet II (1954), for eight loudspeakers
- Music for Cello and Piano (1955)
- Four More (1956), for piano
- The Kind of Bird I Am (1957), for orchestra
- Pentathis (1958), for chamber ensemble
- Hodograph I (1959), for chamber ensemble
- Available Forms I (1961), for chamber orchestra
- Available Forms II (1962), for two orchestras
- Novara (1962), for chamber ensemble
- From Here (1963), for chamber orchestra
- Times Five (1963), for chamber ensemble
- Corroboree (1964), for three or two pianos
- Nine Rarebits (1965), for one or two harpsichords
- String Quartet (1965)
- Calder Piece (1966), for four percussionists and mobile
- Module I (1966), for orchestra
- Module II (1966), for orchestra
- Event: Synergy II (1967), for chamber ensemble
- Module III (1969), for orchestra
- Small Pieces for Large Chorus (1969)
- Syntagm III (1970), for chamber ensemble
- New Piece (1971), for variable instrumentation
- New Piece Loops (1972), for orchestra and chorus
- Sign Sounds (1972), for chamber orchestra
- Time Spans (1972), for orchestra
- Centering (1973), for solo violin and ensemble
- Cross Sections and Color Fields (1975), for orchestra
- Wikiup (1979), sound installation for six independent playing devices
- Windsor Jambs (1980), for chamber ensemble
- Folio II (1982), for variable instrumentation
- Sounder Rounds (1983), for orchestra
- Tracer (1985), for chamber ensemble
- Oh, K (1992), for chamber ensemble
- Tracking Pierrot (1992), for chamber ensemble
- Summer Suite '95 (1995), for piano
- Special Events (1999), for chamber ensemble
Read more about this topic: Earle Brown
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“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
—Rebecca West (18921983)
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (18171862)
“I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
From the earth-poles to the line, All between that works or grows,
Every thing is kin of mine.”
—Ralph Waldo Emerson (18031882)