Criticism
Piercing guns are widely criticized in the body piercing community. Shannon Larratt, editor and publisher of BME and a vocal critic of the piercing gun, penned an essay titled Piercing guns are blasphemy!, where he described the piercing gun as an inherently flawed, dangerous instrument that should never be used. Larratt also printed T-shirts which featured an image of a piercing gun with a red circle and line through it, to mean No Piercing Guns. BME also published an article titled Do Piercing Guns Suck?. However, some supporters of the use of piercing guns point out that professional body piercers have a vested interest in attempts to discredit piercing guns, as they are in direct competition with establishments using guns, but charge prices per piercing that are considerably higher in cost. It has also been pointed out by several supporters of piercing guns that most of the criticisms made by professional body piercers are based on older and now outmoded designs of piercing guns that are only rarely encountered on the high street. They also point out that the vast majority of ear piercings are done using various designs of guns, mostly with no problems at all, and that if there was any significant danger posed by piercing guns, they would have been banned long ago by various public health bodies.
Read more about this topic: Ear Piercing Instrument
Famous quotes containing the word criticism:
“A tailor can adapt to any medium, be it poetry, be it criticism. As a poet, he can mend, and with the scissors of criticism he can divide.”
—Franz Grillparzer (1791–1872)
“A friend of mine spoke of books that are dedicated like this: “To my wife, by whose helpful criticism ...” and so on. He said the dedication should really read: “To my wife. If it had not been for her continual criticism and persistent nagging doubt as to my ability, this book would have appeared in Harper’s instead of The Hardware Age.””
—Brenda Ueland (1891–1985)
“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
—George Steiner (b. 1929)