Dymaxion House - Criticism

Criticism

Criticisms of the Dymaxion Houses include its supposed inflexible design which completely disregarded local site and architectural idiom, and its use of energy-intensive materials such as aluminum, rather than low-energy materials, such as adobe or tile. Fuller chose aluminium for its light weight, great strength, and long-term durability, arguably factors that compensate for the initial production cost. Aluminum was also a logical choice if the homes were to be built in aircraft factories, which, since World War II had ended, had substantial excess capacity.

The Wichita House was a project Fuller accepted during World War II as an attempt to produce cost-effective dwellings for everyone. The project continued to develop the technological concept of the Dymaxion House, now incorporating a round floor plan instead of a hexagonal one. The reactions to the prototype were extraordinarily positive; nevertheless it was not produced industrially. Fuller, a consummate perfectionist, felt he could improve the design and was dissatisfied with the prototype. He refused to begin production rather than allowing the "unfinished" design to be used.

Read more about this topic:  Dymaxion House

Famous quotes containing the word criticism:

    I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.
    Ernest Hemingway (1899–1961)

    Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.
    Octavio Paz (b. 1914)

    As far as criticism is concerned, we don’t resent that unless it is absolutely biased, as it is in most cases.
    John Vorster (1915–1983)