Nineteenth Century
The Hague School were around at the start of the nineteenth century. They included Jozef Israëls. Jacob Maris showed all that is gravest or brightest in the landscape of Holland, all that is heaviest or clearest in its atmosphere. "No painter," says M. Philippe Zilcken, " has so well expressed the ethereal effects, bathed in air and light through floating silvery mist, in which painters delight, and the characteristic remote horizons blurred by haze; or again, the grey yet luminous weather of Holland.".
Amsterdam Impressionism was current during the middle of the Nineteenth century at about the same time as French Impressionism. The painters put their impressions onto canvas with rapid, visible strokes of the brush. They focused on depicting the everyday life of the city. Late nineteenth-century Amsterdam was a bustling centre of art and literature. Famous painters among the Amsterdam Impressionists include George Hendrik Breitner, Willem de Zwart, Isaac Israëls, Simon Duiker and Jan Toorop. George Hendrik Breitner introduced a realism to the Netherlands that created shock waves similar to that of Courbet and Manet's in France. He was the painter of city views par excellence: wooden foundation piles by the harbour, demolition work and construction sites in the old centre, horse trams on the Dam, or canals in the rain. By the turn of the century Breitner was a famous painter in the Netherlands, as demonstrated by a highly successful retrospective exhibition at Arti et Amicitiae in Amsterdam (1901). When the streets of Amsterdam are grey and rainy, people of Amsterdam whisper grimly "Echt Breitnerweer" (Typical Breitnerweather).
Read more about this topic: Dutch Art
Famous quotes related to nineteenth century:
“We have now traced the history of women from Paradise to the nineteenth century and have heard nothing through the long roll of the ages but the clank of their fetters.”
—Jane, Lady Wilde (1821–1896)
“The nineteenth century was completely lacking in logic, it had cosmic terms and hopes, and aspirations, and discoveries, and ideals but it had no logic.”
—Gertrude Stein (1874–1946)
“Why does he not know how to select servants? The ordinary procedure of the nineteenth century is that when a powerful and noble personage encounters a man of feeling, he kills, exiles, imprisons or so humiliates him that the other, like a fool, dies of grief.”
—Stendhal [Marie Henri Beyle] (1783–1842)
“The most revolutionary invention of the Nineteenth Century was the artificial sterilization of marriage.”
—George Bernard Shaw (1856–1950)
“Posterity—the forlorn child of nineteenth century optimism—grows ever harder to conceive.”
—Mason Cooley (b. 1927)