Dusty Springfield - Legacy

Legacy

Dusty Springfield was one of the best-selling UK singers of the 1960s. She was voted the Top Female Singer (UK) by the readers of the New Musical Express in 1964 to 1966 and Top Female Singer in 1965 to 1967 and 1969. Of the female singers of the British Invasion, Springfield made one of the biggest impressions on the US market, scoring 18 singles in the Billboard Hot 100 from 1964 to 1970 including six in the top 20. The music press considers her an iconic figure of the Swinging Sixties. Quentin Tarantino caused a revival of interest in her music in 1994 by including "Son of a Preacher Man" in the Pulp Fiction soundtrack, which sold over three million copies. In that same year, in the documentary, Dusty Springfield. Full Circle, guests of her 1965 Sound of Motown show credited Springfield's efforts with popularising US soul music in the UK.

Springfield was popular in Europe and performed at the Sanremo Music Festival. Recordings were released in French, German, and Italian: her French works include a 1964 four-track extended play with "Demain tu peux changer" (aka "Will You Still Love Me Tomorrow"), "Je ne peux pas t’en vouloir" ("Losing You"), "L’été est fini" ("The Summer Is Over") and "Reste encore un instant" ("Stay Awhile"); German recordings include the July 1964 single, "Warten und hoffen" ("Wishin' and Hopin'") backed with "Auf dich nur wart’ ich immerzu" ("I Only Want to Be with You"); Italian recordings include "Tanto so che poi mi passa" ("Every Day I Have to Cry") issued as a single. Her entries at the Sanremo festival were "Tu che ne sai" and "Di fronte all’amore" ("I Will Always Want You").

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    What is popularly called fame is nothing but an empty name and a legacy from paganism.
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