Duncan Edwards - Style of Play

Style of Play

Physically, he was enormous. He was strong and had a fantastic football brain. His ability was complete – right foot, left foot, long passing, short passing. He did everything instinctively.

–Bobby Charlton

Although he is primarily remembered as a defensive midfielder, Edwards is said to have been able to operate in any outfield position on the field of play. His versatility was such that on one occasion he started the match playing as an emergency striker in place of one injured player before being switched to central defence in place of another. His greatest assets were his physical strength and his level of authority on the pitch, which was said to be remarkable for such a young player, and he was particularly noted for his high level of stamina. Stanley Matthews described him as being "like a rock in a raging sea", and Bobby Moore likened him to the Rock of Gibraltar when defending but also noted that he was "dynamic coming forward". His imposing physique earned him the nicknames "Big Dunc" and "The Tank", and he has been ranked amongst the toughest players of all time.

Edwards was noted for the power and timing of his tackles and for his ability to pass and shoot equally well with both feet. He was known for his surging runs up the pitch and was equally skilled at heading the ball and at striking fierce long-range shots. After scoring a goal on 26 May 1956, in a 3–1 friendly win against West Germany, he was given the nickname "Boom Boom" by the local press because of "the Big Bertha shot in his boots".

Read more about this topic:  Duncan Edwards

Famous quotes containing the words style of, style and/or play:

    I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.
    Cyril Connolly (1903–1974)

    I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.
    Cyril Connolly (1903–1974)

    The indispensable ingredient of any game worth its salt is that the children themselves play it and, if not its sole authors, share in its creation. Watching TV’s ersatz battles is not the same thing at all. Children act out their emotions, they don’t talk them out and they don’t watch them out. Their imagination and their muscles need each other.
    Leontine Young (20th century)