Style of Play
Physically, he was enormous. He was strong and had a fantastic football brain. His ability was complete – right foot, left foot, long passing, short passing. He did everything instinctively.
–Bobby CharltonAlthough he is primarily remembered as a defensive midfielder, Edwards is said to have been able to operate in any outfield position on the field of play. His versatility was such that on one occasion he started the match playing as an emergency striker in place of one injured player before being switched to central defence in place of another. His greatest assets were his physical strength and his level of authority on the pitch, which was said to be remarkable for such a young player, and he was particularly noted for his high level of stamina. Stanley Matthews described him as being "like a rock in a raging sea", and Bobby Moore likened him to the Rock of Gibraltar when defending but also noted that he was "dynamic coming forward". His imposing physique earned him the nicknames "Big Dunc" and "The Tank", and he has been ranked amongst the toughest players of all time.
Edwards was noted for the power and timing of his tackles and for his ability to pass and shoot equally well with both feet. He was known for his surging runs up the pitch and was equally skilled at heading the ball and at striking fierce long-range shots. After scoring a goal on 26 May 1956, in a 3–1 friendly win against West Germany, he was given the nickname "Boom Boom" by the local press because of "the Big Bertha shot in his boots".
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Famous quotes containing the words style of, style and/or play:
“A church that can never have done with excommunicating Christ while it exists! Away with your broad and flat churches, and your narrow and tall churches! Take a step forward, and invent a new style of out-houses. Invent a salt that will save you, and defend our nostrils.”
—Henry David Thoreau (18171862)
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—Dame Ethel Smyth (18581944)
“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with childrens play, or as manifestation of the end or goal of work, as in playing chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
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