Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| Entertainment Weekly | A− |
| Almost Cool | (10/10) |
| Q | |
| Rolling Stone | |
| Sputnikmusic | |
| Slant Magazine | |
| Bloody Disgusting | |
| Piero Scaruffi | |
| BBC | (very favourable) |
| The New York Times | (very favourable) |
It won the 1995 Mercury Music Prize, beating stiff competition which included PJ Harvey's To Bring You My Love, Oasis' Definitely Maybe, and Tricky's Maxinquaye.
- Mojo (p. 62) - Ranked No. 35 in Mojo's "100 Modern Classics."
- Mojo (1/95, p. 50) - Included in Mojo's "25 Best Albums of 1994."
- The New York Times (1/5/95, p. C15) - Included on Neil Strauss' list of the Top 10 Albums Of '94.
- NME (8/12/00, p. 29) - Ranked No. 29 in The NME "Top 30 Heartbreak Albums."
- NME (12/24/94, p. 22) - Ranked No. 6 in NME's list of the 'Top 50 Albums Of 1994.'
- Q (12/99, p. 82) - Included in Q Magazine's "90 Best Albums Of The 1990s."
- Q (6/00, p. 66) - Ranked No. 61 in Q's "100 Greatest British Albums."
- Rolling Stone (5/13/99, pp. 79–80) - Included in Rolling Stone's "Essential Recordings of the 90's."
- In 2003, the album was ranked No. 419 on Rolling Stone magazine's list of the 500 greatest albums of all time.
- Spin (9/99, p. 140) - Ranked No. 42 in Spin Magazine's "90 Greatest Albums of the '90s."
- The Village Voice (2/28/95) - Ranked No. 14 in the Village Voice's 1994 Pazz & Jop Critics Poll.
The album is the subject of a title in Continuum's 33⅓ series of books, published in October 2011.
Read more about this topic: Dummy (album)
Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)