Production
Animator Larry Ruppel shared his experience during the film's production:
"I was the sole American working at the Paris studio during this production, the other creative artists hailing mostly from France, Denmark, Australia and Italy. I'd like to add that this little movie ended up being quite important because of the many notable animation professionals who got their start on this project. Besides myself (I've animated numerous Disney projects, also Classic Warner Bros. shorts), there are, among others, DreamWorks animators Sylvain Deboissy and Nicholas Marlet, French animation director Pierre Lyphoudt, and ILM's James Baker and Daniel Jeannette. For all the Europeans working on this Disney feature, it was a dream come true, and because most of us were working on a feature for the first time in our lives, in a way it was our Snow White. As the only American on staff, there were many occasions when I had to explain to supervisors or other animators the exact meaning of some American slang phrases used in the dialogue of the script."During the film's main titles, the titles' typeface is similar to that of the Indiana Jones films. This was obviously to honor the film Raiders of the Lost Ark for using the original Carl Barks comic book series as part of the inspiration for the former (such as the scene when Jones being chased by a boulder which was inspired by "The Seven Cities of Cibola," an Uncle Scrooge comic book issue. Also, the idea for the idol mechanism in the opening scene in Raiders, and deadly traps later in the film were inspired by several Uncle Scrooge comics). Another homage to the Indiana Jones films comes later in the movie when someone looking like Indiana Jones can be seen briefly when Scrooge and Genie visit the Explorer's Club.
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Famous quotes containing the word production:
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)