Production
Animator Larry Ruppel shared his experience during the film's production:
"I was the sole American working at the Paris studio during this production, the other creative artists hailing mostly from France, Denmark, Australia and Italy. I'd like to add that this little movie ended up being quite important because of the many notable animation professionals who got their start on this project. Besides myself (I've animated numerous Disney projects, also Classic Warner Bros. shorts), there are, among others, DreamWorks animators Sylvain Deboissy and Nicholas Marlet, French animation director Pierre Lyphoudt, and ILM's James Baker and Daniel Jeannette. For all the Europeans working on this Disney feature, it was a dream come true, and because most of us were working on a feature for the first time in our lives, in a way it was our Snow White. As the only American on staff, there were many occasions when I had to explain to supervisors or other animators the exact meaning of some American slang phrases used in the dialogue of the script."During the film's main titles, the titles' typeface is similar to that of the Indiana Jones films. This was obviously to honor the film Raiders of the Lost Ark for using the original Carl Barks comic book series as part of the inspiration for the former (such as the scene when Jones being chased by a boulder which was inspired by "The Seven Cities of Cibola," an Uncle Scrooge comic book issue. Also, the idea for the idol mechanism in the opening scene in Raiders, and deadly traps later in the film were inspired by several Uncle Scrooge comics). Another homage to the Indiana Jones films comes later in the movie when someone looking like Indiana Jones can be seen briefly when Scrooge and Genie visit the Explorer's Club.
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Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)
“The repossession by women of our bodies will bring far more essential change to human society than the seizing of the means of production by workers.”
—Adrienne Rich (b. 1929)