Ducks Deluxe - History

History

Formed in February 1972, with ex Brinsley Schwarz roadie Martin Belmont on guitar, former Help Yourself collaborator Sean Tyla, also on guitar, ex Help Yourself bassist Ken Whaley, and Magic Michael (Michael Cousins) on percussion. Cousins was soon replaced by drummer Tim Roper and former Flamin' Groovies roadie, Nick Garvey, also joined. Playing more energetic music than most others on the London pub-rock circuit, the Ducks soon had a twice weekly booking at the Tally Ho in Kentish Town, and a manager, Dai Davies.

Whaley left, and later rejoined Help Yourself, and in December 1972, the Ducks recorded two tracks at Man's Christmas party, one of which,"Boogaloo Babe", was released on a double 10" album Christmas at the Patti, their first appearance on a record.

In 1973 the band signed to RCA and released their first single, Coast To Coast, written by Sean Tyla and Nick Garvey, though Tyla is not credited on the track, because he was trying to untangle himself from a previous publishing deal. They also appeared in BBC TV Play for Today called Blooming Youth. Their eponymous debut album Ducks Deluxe was released in early 1974, and "captures something of the fire and excitement that the Ducks' live act generated". Keyboard and bass player Andy McMasters joined from The Sabres, to record a second album,Taxi To The Terminal Zone but this was regarded as disappointing and McMasters left. The band recorded its first Peel Session in April 1974 after which Garvey left and former Nashville Teens bassist Micky Groome joined. Despite recording a second Peel Session in March 1975 RCA dropped the band, so they were reduced to issuing an EP, Jumpin on the French label Skydog. Tim Roper left so former Brinsley Schwarz members Brinsley Schwarz and Billy Rankin played on the final tour, with the final gig being at the 100 Club in London on July 1, 1975.

Read more about this topic:  Ducks Deluxe

Famous quotes containing the word history:

    Racism is an ism to which everyone in the world today is exposed; for or against, we must take sides. And the history of the future will differ according to the decision which we make.
    Ruth Benedict (1887–1948)

    I believe that in the history of art and of thought there has always been at every living moment of culture a “will to renewal.” This is not the prerogative of the last decade only. All history is nothing but a succession of “crises”Mof rupture, repudiation and resistance.... When there is no “crisis,” there is stagnation, petrification and death. All thought, all art is aggressive.
    Eugène Ionesco (b. 1912)

    America is, therefore the land of the future, where, in the ages that lie before us, the burden of the World’s history shall reveal itself. It is a land of desire for all those who are weary of the historical lumber-room of Old Europe.
    Georg Wilhelm Friedrich Hegel (1770–1831)