Drew Goddard

Drew Goddard (born February 26, 1975) is an American film and television screenwriter, director and producer best known for his collaborations with Joss Whedon (Buffy the Vampire Slayer, Angel, The Cabin in the Woods) and J. J. Abrams (Alias, Lost, Cloverfield).

Goddard joined the crew of Lost as a freelance writer for the first season in 2004. Goddard and the writing staff won the Writers Guild of America (WGA) Award for Best Dramatic Series at the February 2006 ceremony for their work on the season. Goddard rejoined the crew as a supervising producer and writer for the third season in 2006. He was promoted to co-executive producer mid-season. The writing staff were nominated for the WGA Award for Best Dramatic Series again at the February 2007 ceremony for their work on the second and third seasons. Goddard and his co-writer, show runner and executive producer Damon Lindelof, were also nominated for the WGA Award for Best Episodic Drama at the February 2008 ceremony for writing the third season episode "Flashes Before Your Eyes". He returned as a co-executive producer for the fourth season in 2007. He was nominated for the WGA award for Best Dramatic Series again at the February 2009 ceremony for his work on the fourth season of Lost. Goddard left the crew at the end of the fourth season.

He directed the 2012 film The Cabin in the Woods, which he also co-wrote with Joss Whedon.

He has a cameo on Joss Whedon's web-based film Dr. Horrible's Sing-Along Blog as "Fake Thomas Jefferson".

Read more about Drew Goddard:  Films Written, Comics Written

Famous quotes containing the words drew and/or goddard:

    The complete life, the perfect pattern, includes old age as well as youth and maturity. The beauty of the morning and the radiance of noon are good, but it would be a very silly person who drew the curtains and turned on the light in order to shut out the tranquillity of the evening. Old age has its pleasures, which, though different, are not less than the pleasures of youth.
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    There is no mystery in a looking glass until someone looks into it. Then, though it remains the same glass, it presents a different face to each man who holds it in front of him. The same is true of a work of art. It has no proper existence as art until someone is reflected in it—and no two will ever be reflected in the same way. However much we all see in common in such a work, at the center we behold a fragment of our own soul, and the greater the art the greater the fragment.
    —Harold C. Goddard (1878–1950)