Dream Ballet

A dream ballet, in musical theater, is an all-dance, no-singing production number that reflects the themes of the production. The plot, themes, and characters are typically the same—although the people playing the characters may be different, as the roles of the dream ballet are usually filled by well trained dancers rather than actual actors.

Dream ballet sequences exist mainly for clarification, foreshadowing, and symbolism, and occur outside the continuity of the production. They also provide the opportunity to impress the audience with advanced dancing techniques and elaborate staging that would otherwise be impossible or dramatically inappropriate.

The dream ballet is thought to have originated in Rodgers and Hammerstein's 1943 musical Oklahoma!, which includes a 15-minute first-act dream ballet finale. The technique has since become a routine (although by no means universal) theatrical practice.

Dance
Types
  • Solo
  • Partner
  • Group
  • Ceremonial
  • Competitive
  • Concert
  • Participation
  • Social
Genres
  • Acro
  • Bachata
  • Ballet
  • Ballroom
  • Baroque
  • Belly
  • Bhangra
  • Bharatanatyam
  • Breaking
  • Chicago Style Stepping
  • Country-western
  • Cumbia
  • Disco
  • Erotic
  • Folk
  • Forró
  • Hip-hop
  • Hula
  • Jazz
  • Kabuki
  • Kathak
  • Kathakali
  • Krumping
  • Kuchipudi
  • Lap
  • Line
  • Manipuri
  • Merengue
  • Modern
  • Mohiniyattam
  • Odissi
  • Persian
  • Salsa
  • Sattriya
  • Scottish Highland
  • Sequence
  • Street
  • Swing
  • Tango
  • Tap
  • Waltz
  • War
Technique
  • Choreography
  • Connection
  • Dance theory
  • Lead and follow
  • Moves (glossary)
  • Musicality
  • Spotting
  • Turnout
Dance Portal
  • Did you know?
  • Today's article
  • Today's biography
  • Today's picture
See Also
  • Costumes
  • Etiquette
  • History
  • List of dances
  • Music
  • Notation
  • Outline
  • Research
  • Science
  • Dance and health
  • Dance in film
  • Dance in mythology and religion
  • Dance and disability

Famous quotes containing the words dream and/or ballet:

    If we dreamed the same thing every night, it would affect us much as the objects we see every day. And if a common workman were sure to dream every night for twelve hours that he was a king, I believe he would be almost as happy as a king who should dream every night for twelve hours on end that he was a common workman.
    Blaise Pascal (1623–1662)

    Anyone who has a child today should train him to be either a physicist or a ballet dancer. Then he’ll escape.
    —W.H. (Wystan Hugh)