Drawn-on-film Animation - Animators and Films

Animators and Films

  • In 1912, Italian Futurists Arnaldo Ginna and Bruno Corra discuss their nine abstract films (now lost) in their text Abstract Cinema – Chromatic Music.
  • In 1916, American concert pianist Mary Hallock-Greenewalt produced hand-painted film strips, possibly intended for projection in her color organ, Sarabet.
  • In 1926 Man Ray created Emak Bakia, which includes sequences made by exposing film directly to light.
  • In 1935 Len Lye created the first direct film screened to a general audience, a promotion for the British General Post Office entitled A Colour Box aswell as his movie "Kaleidoscope". Lye and Norman McLaren produced hand-painted films for John Grierson in the GPO Film Unit. Lye went on to create direct films in New York.
  • Beginning in 1941, McLaren continued this work at the National Film Board of Canada (NFB), founding the NFB's animation unit. NFB direct films created or co-created by McLaren include Boogie-Doodle (1941), Hen Hop (1942), Begone Dull Care (1949) and Blinkity Blank (1955).
  • In 1946, Harry Smith produced hand-painted films in San Francisco which screened at the Art in Cinema series at the San Francisco Museum of Art.
  • In 1970, José Antonio Sistiaga exhibited the first feature-length hand-painted film, the silent epic ... era erera baleibu izik subua aruaren ..., in Madrid.
  • Stan Brakhage, Mothlight (1963)
  • Harry Everett Smith, Profile, Filmography, Bibliography
  • Pierre Hébert, Memories of War (1982)
  • Cathy Joritz, Negative Man (2 min, 1985)
  • Cathy Joritz, "Give AIDS the Freeze" (1 min)
  • Bärbel Neubauer
  • Richard R. Reeves,www.flickerfilms.ca
  • Jürgen Reble / Schmelzdahin
  • Wes Southern
  • Heide StrangeSky, "Revolver" (2002, 8 min) or "VooDoo Vex" (2001, 4 min)
  • Steven Woloshen produced and directed Ditty Dot Comma (2001, 3 min).

Read more about this topic:  Drawn-on-film Animation

Famous quotes containing the word films:

    Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to society’s porous face.
    Marjorie Rosen (b. 1942)