History
While the term "drag king" was first cited in print in 1972, there is a longer history of female performers dressing in male attire. In theatre and opera there was a tradition of breeches roles and en travesti. Actress and playwright Susanna Centlivre appeared in breeches roles around 1700. The first popular male impersonator in U.S. theater was Annie Hindle, who started performing in New York in 1867; in 1886 she married her dresser, Annie Ryan. British music hall performer Vesta Tilley was active in the late 19th and early 20th centuries as a male impersonator. Other male impersonators on the British stage were Ella Shields and Hetty King. Blues singer Gladys Bentley performed in male attire in New York, Los Angeles and San Francisco from the 1920s through 1940s. Stormé DeLarverie performed in male drag along with female impersonators at the Jewel Box Revue in the 1950s and 1960s, as documented in the film Storme: The Lady of the Jewel Box; DeLarverie is also a veteran of the Stonewall riots.
The term drag king is sometimes used in a broader sense, to include female-bodied people who dress in traditionally masculine clothing for other reasons. This usage includes women temporarily attempting to pass as men and women who wish to present themselves in a masculine gender role without identifying as a man. Diane Torr began leading Drag King Workshops in 1989 that offer women a lesson in passing as men. Torr was featured in the 2002 film on drag kings Venus Boyz. Some transmen also self-identify as drag kings. Drag kings are largely a phenomenon of lesbian culture and can most often be seen at lesbian bars or festivals. However, not all drag kings are lesbians, and some participants in the drag king subculture are not otherwise involved in lesbian culture, society, or politics. Faux queens (also called femme queens, femme performers, bio queens or Kittens) often perform alongside drag kings and may or may not be lesbian-identified.
Many modern women wear men's hats, ties, jackets, or even full suits for fashion reasons (e.g. the "Annie Hall style"). These women are not considered drag kings.
Read more about this topic: Drag King
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“Those who weep for the happy periods which they encounter in history acknowledge what they want; not the alleviation but the silencing of misery.”
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