Reception
| Reception | |
|---|---|
| Aggregate scores | |
| Aggregator | Score |
| GameRankings | 68% |
| Review scores | |
| Publication | Score |
| Allgame | 3 out of 5 |
| Famitsu | 32 / 40 (N64DD) 32 / 40 (GCN) |
| GameSpot | 6.8 out of 10 |
| IGN | 6.8 out of 10 |
| Nintendo World Report | 9 out of 10 |
| Ace Gamez | 7 out of 10 |
| Games Asylum | 8 out of 10 |
| Gamestyle | 7 out of 10 |
| Mad Gamers | 3.6 out of 10 |
| Gamestyle | 7 out of 10 |
| GamingWorld X | 8.9 out of 10 |
| NTSC uk | 6 out of 10 |
Doshin the Giant was a hit game in Japan, peaking at number-one in that country and was Japan's ninth best-selling game of 2002. In the UK, Doshin the Giant peaked at number-nine and was the UK's sixty-fifth best-selling game of 2002 and hit the top of the GameCube charts and was the twenty-second best-selling GameCube game of 2002. With its fame Doshin went on to appear as a trophy in Super Smash Bros. Melee. He was shown holding a villager in his hands. He was called the Love Giant as the title of the Trophy, but called Doshin in the entry. Jashin appears as a secret trophy in the lottery as Hate Giant.
Read more about this topic: Doshin The Giant
Famous quotes containing the word reception:
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)