Writing
In a review of Pointed Roofs (The Egoist April 1918), May Sinclair first applied the term "stream of consciousness" in her discussion of Richardson's stylistic innovations. Richardson, however, preferred the term interior monologue. Pointed Roofs was the first volume in a sequence of 13 novels titled Pilgrimage. Miriam Henderson, the central character in Pilgrimage, is based on author's own life between 1891 and 1915.
Richardson is also an important feminist writer, because of the way her work assumes the validity and importance of female experiences as a subject for literature. Her wariness of the conventions of language, her bending of the normal rules of punctuation, sentence length, and so on, are used to create a feminine prose, which Richardson saw as necessary for the expression of female experience. Virginia Woolf in 1923 noted, that Richardson "has invented, or, if she has not invented, developed and applied to her own uses, a sentence which we might call the psychological sentence of the feminine gender."
Read more about this topic: Dorothy Richardson
Famous quotes containing the word writing:
“I have spent so long erecting partitions around the part of me that writes—learning how to close the door on it when ordinary life intervenes, how to close the door on ordinary life when it’s time to start writing again—that I’m not sure I could fit the two parts of me back together now.”
—Anne Tyler (b. 1941)
“It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it ... and then the warmth and richness and fine reality of hunger satisfied ... and it is all one.”
—M.F.K. Fisher (b. 1908)
“Good critical writing is measured by the perception and evaluation of the subject; bad critical writing by the necessity of maintaining the professional standing of the critic.”
—Raymond Chandler (1888–1959)