Dormition of The Theotokos - Dormition Versus Assumption

Dormition Versus Assumption

The Dormition of the Theotokos is celebrated on August 15 (August 28, N.S. for those following the Julian Calendar), the same calendar day as the Roman Catholic Feast of the Assumption of Mary. The Dormition and the Assumption are different names for the same event, Mary's departure from the earth, although the beliefs are not entirely the same.

The Orthodox Church teaches that Mary died a natural death, like any human being; that her soul was received by Christ upon death; and that her body was resurrected on the third day after her repose, at which time she was taken up, bodily only, into heaven. Her tomb was found empty on the third day.

Roman Catholic teaching holds that Mary was "assumed" into heaven in bodily form, just as her son Jesus ascended. Some Catholics agree with the Orthodox that this happened after Mary's death, while some hold that she did not experience death. Pope Pius XII, in his Apostolic constitution, Munificentissimus Deus (1950), which dogmatically defined the Assumption, left open the question of whether or not Mary actually underwent death in connection with her departure, but alludes to the fact of her death at least five times. However, during a General Audience on 25 June 1997, Pope John Paul II affirmed that Mary did indeed experience natural death prior to her assumption into Heaven. The Pope stated:

It is true that in Revelation death is presented as a punishment for sin. However, the fact that the Church proclaims Mary free from original sin by a unique divine privilege does not lead to the conclusion that she also received physical immortality. The Mother is not superior to the Son who underwent death, giving it a new meaning and changing it into a means of salvation. Involved in Christ’s redemptive work and associated in his saving sacrifice, Mary was able to share in his suffering and death for the sake of humanity’s Redemption. What Severus of Antioch says about Christ also applies to her: “Without a preliminary death, how could the Resurrection have taken place?” (Antijulianistica, Beirut 1931, 194f.). To share in Christ’s Resurrection, Mary had first to share in his death. The New Testament provides no information on the circumstances of Mary’s death. This silence leads one to suppose that it happened naturally, with no detail particularly worthy of mention. If this were not the case, how could the information about it have remained hidden from her contemporaries and not have been passed down to us in some way? As to the cause of Mary’s death, the opinions that wish to exclude her from death by natural causes seem groundless. It is more important to look for the Blessed Virgin’s spiritual attitude at the moment of her departure from this world. In this regard, St Francis de Sales maintains that Mary’s death was due to a transport of love. He speaks of a dying “in love, from love and through love”, going so far as to say that the Mother of God died of love for her Son Jesus (Treatise on the Love of God, bk. 7, ch. XIII-XIV). Whatever from the physical point of view was the organic, biological cause of the end of her bodily life, it can be said that for Mary the passage from this life to the next was the full development of grace in glory, so that no death can ever be so fittingly described as a “dormition” as hers."

Both churches agree that she was taken up into heaven bodily. The Orthodox belief regarding Mary's falling asleep are expressed in the liturgical texts used of the feast of the Dormition (August 15) which is one of the Twelve Great Feasts of the Orthodox Church, and is held by all pious Orthodox Christians.

The Eastern Catholic observance of the feast corresponds to that of their Orthodox counterparts, whether Eastern Orthodox or Oriental Orthodox.

The Dormition is known as the Death of the Virgin in Catholic art, where it is a reasonably common subject, mostly drawing on Byzantine models, until the end of the Middle Ages. The Death of the Virgin by Caravaggio, of 1606, is probably the last famous Western painting of the subject.