Development of The Dormition Tradition
The Dormition tradition is associated with various places, most notably with Jerusalem, which contains Mary's Tomb and the Basilica of the Dormition, and Ephesus, which contains the House of the Virgin Mary, and also with Constantinople.
The first four Christian centuries are silent regarding the end of the Virgin Mary's life, though it is asserted, without surviving documentation, that the feast of the Dormition was being observed in Jerusalem shortly after the Council of Ephesus.
At the point in the later fifth century when the earliest Dormition traditions surface in manuscripts, Stephen Shoemaker has detected the sudden appearance of three distinct narrative traditions describing the end of Mary's life: he has characterised them as the "Palm of the Tree of Life" narratives, the "Bethlehem" narratives, and the "Coptic" narratives—aside from a handful of atypical narratives.
One might notice the similarities between the traditional depictions of the Dormition of the Theotokos in Byzantine iconography and the account of the death of the Egyptian Desert Father, Sisoes the Great. In both Christ is seen coming to receive the soul of the dying saint surrounded by an aureola or cloud of blinding light and accompanied by the angels and prophets. In Byzantine iconography the other Christ is shown surrounded by such a cloud of light are those of also seen in icons of the Transfiguration, the Resurrection and the Last Judgment. One might further note that in some icons of the Dormition the Theotokos is depicted at the top of the icon in a similar aureola before the opening gates of heaven. This suggests that contemporary accounts of the deaths of the Desert Fathers accompanied by sudden burst of light came to influence the development of the iconography of the Dormition.
Read more about this topic: Dormition Of The Theotokos
Famous quotes containing the words development of, development and/or tradition:
“And then ... he flung open the door of my compartment, and ushered in Ma young and lovely lady! I muttered to myself with some bitterness. And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!”
—Lewis Carroll [Charles Lutwidge Dodgson] (18321898)
“This was the Eastham famous of late years for its camp- meetings, held in a grove near by, to which thousands flock from all parts of the Bay. We conjectured that the reason for the perhaps unusual, if not unhealthful development of the religious sentiment here, was the fact that a large portion of the population are women whose husbands and sons are either abroad on the sea, or else drowned, and there is nobody but they and the ministers left behind.”
—Henry David Thoreau (18171862)
“At its best, [Japanese cooking] is inextricably meshed with aesthetics, with religion, with tradition and history. It is evocative of seasonal changes, or of ones childhood, or of a storm at sea ...”
—M.F.K. Fisher (19081992)