Career
Yen was a stuntman in his earliest films, Shaolin Drunkard (1983) and Taoism Drunkard (1984). At the age of 20, he got his first acting role in the 1984 film Drunken Tai Chi'.'
After filming Drunken Tai Chi and Tiger Cage (1988), Yen made his breakthrough role as General Nap-lan in Once Upon a Time in China II (1992), which included a fight scene between his character and Wong Fei-hung (played by Jet Li). Yen had a starring role in the film Iron Monkey in 1993. Yen and Li appeared together again in the 2002 film Hero, where Yen played a spear (or qiang) fighter who fought with Li's character, an unnamed swordsman. The film was nominated for the Best Foreign Language Film Oscar at the 2003 Academy Awards.
In 1995, Yen starred as Chen Zhen (Cantonese: Chan Zan) in the television series Fist of Fury produced by ATV, which is adapted from the 1972 film of the same title that starred Bruce Lee as Chen Zhen. Yen reprised his role as Chen Zhen in the 2010 film Legend of the Fist: The Return of Chen Zhen.
In 1997, Yen started the production company Bullet Films, and made his directorial debut in Legend of the Wolf (1997) and Ballistic Kiss (1998), in which he played the lead character. Yen went on to choreograph fight scenes and appeared in minor roles in some Hollywood films, such as Highlander: Endgame (2000) and Blade II (2002).
In 2003, Yen played the antagonist against Jackie Chan in Shanghai Knights.
Yen choreographed most of the fight animation in the 2004 video game Onimusha 3, which featured actors Takeshi Kaneshiro and Jean Reno. Yen continued to be active in the Hong Kong cinema in the 2000s, starring as Chu Zhaonan in Tsui Hark's wuxia epic film Seven Swords, and as Ma Kwun in Wilson Yip's brutal crime drama film SPL: Sha Po Lang in 2005. Both films were featured at the 2005 Toronto International Film Festival. Later that year, Yen co-starred with Nicholas Tse and Shawn Yue in Wilson Yip's Dragon Tiger Gate, an adaptation of Wong Yuk-long's manhua series Oriental Heroes. Yen also worked as action choreographer in Stormbreaker, starring Alex Pettyfer. Yen's continued to work with Wilson Yip in Flash Point (2007) in which he starred as the lead character and served as producer and action choreographer for the film. He won the Best Action Choreography at the Golden Horse Film Awards and the Hong Kong Film Awards for his performance in Flash Point.
In 2008, Yen starred in Ip Man, a semi-biographical account of Yip Man, the Wing Chun master of Bruce Lee. Ip Man marked Yen's fourth collaboration with director Wilson Yip, reuniting him with his co-stars in SPL: Sha Po Lang, Sammo Hung and Simon Yam. Ip Man became the biggest box office hit to date which featured Yen in the leading role, grossing HK$25 million in Hong Kong and 100 million yuan in China. In July 2011 it was announced that Yen and Cecilia Cheung would be cast in a Hong Kong remake of Mr. & Mrs. Smith, titled Assassin Couple.
In August 2011, while Yen was on a vacation with his family in the United States, he reportedly received an invitation by producer Avi Lerner to star in The Expendables 2. It was stated that Yen is considering the offer, and has many films at hand, and will not decide until he sees if the script appeals to him or not. Later on, Yen revealed to the Hong Kong media that he has rejected the role.
In September 2011, Yen revealed that he took two comedy roles in a row, All's Well, Ends Well 2012 and Thunder Cop, and will be working with Sandra Ng in the first film.
Read more about this topic: Donnie Yen
Famous quotes containing the word career:
“They want to play at being mothers. So let them. Expressing tenderness in their own way will not prevent girls from enjoying a successful career in the future; indeed, the ability to nurture is as valuable a skill in the workplace as the ability to lead.”
—Anne Roiphe (20th century)
“I seemed intent on making it as difficult for myself as possible to pursue my male career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my male pursuits.”
—Margaret S. Mahler (18971985)
“He was at a starting point which makes many a mans career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)