Donald Voorhees - Career

Career

Starting in 1926, Voorhees' orchestra recorded prolifically for Columbia, Edison, Pathe, Perfect, Cameo, and Hit of the Week through 1931, when (apparently) he disbanded.

From 1935 to 1941, and from 1949 to 1953 (with Ardon Cornwell), Voorhees was the musical director and conductor for the radio and television show, Cavalcade of America.

Voorhees also served as conductor of the Bell Telephone Hour orchestra for 26 years, from its first broadcasts on radio in 1942 until its final television episode in 1968. He was nominated for an Emmy Award in 1966 for "Individual Achievements in Music" for his work on the series.

He was also the first conductor of the Allentown Symphony Orchestra. Voorhees served as conductor and musical director of the orchestra from its inception in 1951 until 1983.

Read more about this topic:  Donald Voorhees

Famous quotes containing the word career:

    I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.
    Ruth Behar (b. 1956)

    “Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.
    Lawrence Kutner (20th century)

    What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.
    Arlie Hochschild (20th century)