Career
Siegel found work in the Warner Bros. film library after meeting producer Hal Wallis, and later rose to head of the Montage Department, where he directed thousands of montages, including the opening montage for Casablanca. In 1945 two shorts he directed, Hitler Lives? and Star in the Night, won Academy Awards, which launched his career as a feature director.
He directed whatever material came his way, often transcending the limitations of budget and script to produce interesting and adept works. He made the original Invasion of the Body Snatchers in 1956. He directed two episodes of The Twilight Zone, "The Self-Improvement of Salvadore Ross" and "Uncle Simon". He worked with Elvis Presley and Dolores del Río in Flaming Star (1960), with Steve McQueen in Hell Is for Heroes and Lee Marvin in the influential The Killers (1964) before directing a series of five films with Clint Eastwood that were commercially successful in addition to being well received by critics. These included the policiers Coogan's Bluff and Dirty Harry, the Budd Boetticher-scripted Western Two Mules for Sister Sara, the cynical American Civil War melodrama The Beguiled and the prison-break picture Escape from Alcatraz. He was a considerable influence on Eastwood's own career as a director, and Eastwood's film Unforgiven is dedicated "for Don and Sergio ".
He had a long collaboration with composer Lalo Schifrin, who scored five of his films: Coogan's Bluff, The Beguiled, Dirty Harry, Charley Varrick and Telefon.
Schifrin composed and recorded what would have been his sixth score for Siegel on Jinxed! (1982), but it was rejected by the studio despite Siegel's objections. This was one of several fights Siegel had on this, his last film.
Siegel was also important in the career of director Sam Peckinpah. In 1954, Peckinpah was hired as a dialogue coach for Riot in Cell Block 11. His job entailed acting as an assistant for the director, Siegel. The film was shot on location at Folsom Prison. Siegel's location work and his use of actual prisoners as extras in the film made a lasting impression on Peckinpah. He worked as a dialog coach on four additional Siegel films: Private Hell 36 (1954), An Annapolis Story, (1955), Invasion of the Body Snatchers (1956) and Crime in the Streets (1956). 25 years later, Peckinpah was all but banished from the industry due to his troubled film productions. Siegel gave the director a chance to return to filmmaking. He asked Peckinpah if he would be interested in directing 12 days of second unit work on Jinxed!. Peckinpah immediately accepted, and his earnest collaboration with his longtime friend was noted within the industry. While Peckinpah's work was uncredited, it would lead to his hiring as the director of his final film The Osterman Weekend (1983).
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