Music
The music is a brilliant, youthful work, free of the influence of Bizet’s teacher Charles Gounod; it is a vital and sparkling imitation of Don Pasquale. The familiar idiom is infused with original touches of harmony, orchestration and melodic turn. The ensembles are particularly successful in using all the stock devices of opera buffa: voices in thirds, staccato chord accompanying and repetition of words. Ernesto’s "Non v’e signor" is an exact parallel of Malatesta's "Bella siccome un angelo" – in both, the baritone describes his sister's charms to the old man, in D flat.
Bizet used several episodes in later works:
- a 2/4 section in the first finale – the Carnival Chorus in Act II of La jolie fille de Perth
- the chorus “Cheti piano!” – “Chante, chante encore” in Act I of Les pêcheurs de perles
- “Sulle piume” – Smith’s serenade in La jolie fille de Perth
while the March in Act I is taken from the finale of his Symphony in C of 1855.
Read more about this topic: Don Procopio
Famous quotes containing the word music:
“Let music sound while he doth make his choice;
Then if he lose he makes a swan-like end,
Fading in music.”
—William Shakespeare (1564–1616)
“Always, however brutal an age may actually have been, its style transmits its music only.”
—André Malraux (1901–1976)
“For do but note a wild and wanton herd
Or race of youthful and unhandled colts
Fetching mad bounds, bellowing and neighing loud,
Which is the hot condition of their blood;
If they but hear perchance a trumpet sound,
Or any air of music touch their ears,
You shall perceive them make a mutual stand,
Their savage eyes turned to a modest gaze
By the sweet power of music.”
—William Shake{peare (1564–1616)