Music
The music is a brilliant, youthful work, free of the influence of Bizet’s teacher Charles Gounod; it is a vital and sparkling imitation of Don Pasquale. The familiar idiom is infused with original touches of harmony, orchestration and melodic turn. The ensembles are particularly successful in using all the stock devices of opera buffa: voices in thirds, staccato chord accompanying and repetition of words. Ernesto’s "Non v’e signor" is an exact parallel of Malatesta's "Bella siccome un angelo" – in both, the baritone describes his sister's charms to the old man, in D flat.
Bizet used several episodes in later works:
- a 2/4 section in the first finale – the Carnival Chorus in Act II of La jolie fille de Perth
- the chorus “Cheti piano!” – “Chante, chante encore” in Act I of Les pêcheurs de perles
- “Sulle piume” – Smith’s serenade in La jolie fille de Perth
while the March in Act I is taken from the finale of his Symphony in C of 1855.
Read more about this topic: Don Procopio
Famous quotes containing the word music:
“O I shall hear skull skull,
Hear your lame music,
Believe music rejects undertaking,
Limps back.”
—Owen Dodson (b. 1914)
“So gladly, from the songs of modern speech
Men turn, and see the stars, and feel the free
Shrill wind beyond the close of heavy flowers,
And through the music of the languid hours,
They hear like ocean on a western beach
The surge and thunder of the Odyssey.”
—Andrew Lang (1844–1912)
“During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)