Doll Parts - Music Video

Music Video

The music video for "Doll Parts" was directed by Samuel Bayer—who had also directed music videos for The Smashing Pumpkins and Nirvana—and who Hole commissioned following the death of bassist Kristen Pfaff. Jennifer Finch of L7 is featured as the bassist in the video. Bayer has said that he wanted it "evoke the feeling of death" and used ideas conceived by Courtney Love throughout the video.

Love's ideas included a large amount of doll imagery, herself "in a babydoll dress looking demure while playing guitar on a bed" and "walking in a bleak backyard passing a children's table set for a tea party." Bayer designed the garden scenes to be "decaying" and added "a hundred plaster-wrapped dolls dangling from trees." Other scenes features a young blonde boy, a reference "meant to ivoke Kurt ", and footage of the band performing the song. Most of the video was shot in black-and-white and interspesed with various color shots. Two edits of "Doll Parts" has been broadcast—an original edit and a "producer's version."

The video for "Doll Parts" was nominated for Best Alternative Video at the 1995 MTV Video Music Awards but lost to "Buddy Holly" by Weezer.

Read more about this topic:  Doll Parts

Famous quotes containing the words music and/or video:

    During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.”
    —Administration in the State of Texa, U.S. public relief program (1935-1943)

    It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.
    Marie Winn (20th century)