Production
The original inspiration for the film was an article written by P. F. Kluge and Thomas Moore for Life in September 1972. The article included many of the details later used in the film and noted the relationship which Wojtowicz and Naturile developed with hostages and the police. Bank manager Robert Barrett said, "I'm supposed to hate you guys, but I've had more laughs tonight than I've had in weeks. We had a kind of camaraderie." Teller Shirley Bell said,"f they had been my houseguests on a Saturday night, it would have been hilarious." The novelization of the film was penned by organized crime writer, Leslie Waller.
The film has no musical score other than the Elton John song "Amoreena" (which first appeared on John's 1970 album Tumbleweed Connection) in the opening credits, as well as the Uriah Heep song "Easy Living" which briefly plays on the radio during a scene inside the bank. Although many scenes within the bank establish that it was quite hot during the robbery, some outdoor sequences were shot in weather so cold that actors had to put ice in their mouths to stop their breath from showing on camera. Exterior shots were filmed on location on Prospect Park West between 17th and 18th Street in Windsor Terrace of Brooklyn. The interior shots of the bank were filmed in a set created in a warehouse.
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Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)