Doctor Who and The Curse of Fatal Death

Doctor Who and the Curse of Fatal Death (commonly shortened to The Curse of Fatal Death) is a four-episode special of Doctor Who made for the Red Nose Day charity telethon in the United Kingdom, and broadcast on BBC One on 12 March 1999. It follows in a long tradition of popular British television programmes producing short, light-hearted specials for such telethon events.

It has a special status amongst Doctor Who-themed charity productions. It has twice been featured on the cover of Doctor Who Magazine - an unusual feat even for a regular episode of the programme. It is the only parodic story to be covered by "DWM Archives", a section of DWM normally reserved for discussion of past episodes of the regular series. Similarly, it is the only parody to be given an extensive behind-the-scenes article on the BBC official website, and its own video release through BBC Video. It is also the only BBC-commissioned live-action Doctor Who production between the Doctor Who television movie and "Rose".

Finally, it serves as a production bridge - if not a narrative bridge - between the 1963 and 2005 versions of the programme. Most notable amongst the many connections between "old" and "new" versions is the fact that it showcases the first televised Doctor Who script by Steven Moffat, the first post-production work of The Mill on the programme, the only time a woman produced an episode of the programme between Verity Lambert and Susie Liggat, and the final performance by the longest-serving Dalek vocal artist, Roy Skelton. Executive Producer Richard Curtis would later write the 2010 episode, "Vincent and the Doctor".

Read more about Doctor Who And The Curse Of Fatal DeathSynopsis, Continuity, Broadcast and Releases

Famous quotes containing the words curse and/or fatal:

    She left the web, she left the loom,
    She made three paces through the room,
    She saw the water-lily bloom,
    She saw the helmet and the plume,
    She looked down to Camelot.
    Out flew the web and floated wide;
    The mirror cracked from side to side;
    “The curse is come upon me,” cried
    The Lady of Shalott.
    Alfred Tennyson (1809–1892)

    I envy not only their talents
    And fertile lack of balance
    But the appearance of choice
    In their sad and fatal voice.
    Roy Fuller (b. 1912)