Analysis
Thomas watched his father, formerly in the Army, grow weak and frail with old age. The poet relates this experience in this poem. The speaker tries to convince his father to fight against imminent death. The speaker addresses his father using wise men, good men, wild men, or grave men as examples to illustrate the same message: that no matter how they have lived their lives or what they feel at the end they should die fighting. It is one of Thomas' most popular, most easily accessible poems, and implies that one should not die without fighting for one's life, or after life.
Another explanation is that the speaker admits that death is unavoidable, but encourages all men to fight death. This is not for their own sake, but to give closure and hope to the kin that they will leave behind. To support this, he gives examples of wise men, good men, wild men, and grave men to his father, who was dying at the time this poem was written. There is little textual evidence for this interpretation, however, except the words "curse, bless me now with your fierce tears, I pray." Also, it has been historically stated that Thomas never showed this poem to his father; if so, it would seem that Thomas composed it more for his own benefit than his father's.
A third reading of the poem observes the possibility that the speaker's listing of various reactions of men in their final hours is a self-addressed rationalization of his father's scolding catharsis before passing on. The line "Curse, bless, me now with your fierce tears, I pray," might then suggest a negative interaction between the two generations, and because historical evidence leads readers to believe that the poet never in fact showed this poem to his father, it would not be ridiculous to think that Thomas wrote the poem knowing that his father was not the designated audience at all. He cites all of human beings' rage against death, regardless of disposition, and perhaps attempts to write off this negative interaction as a natural byproduct of death's impending arrival.
Another reading of this poem shows the author's own fear of death. He seems to fear having little separation between life and death such as in John Donne's poem "A Valediction: Forbidding Mourning", where:
As virtuous men pass mildly away,- And whisper to their souls to go,
Whilst some of their sad friends do say,
- "Now his breath goes," and some say, "No."
It shows the author's fear that there is very little that separates life from death. As such he feels the need for a strong indication of the difference between the two. It does not even matter whether he is being blessed or cursed, he wants to see a reaction (l. 17). The poem could be written as well in the hope that the speaker would be able to see his dying father. He gives the impression that since wise men, good men, wild men and grave men all regret leaving this world his father as well should not be wanting to leave this world without a fight. It seems to be a wild hope, that he will be able to see his father before he passes; that each will be able to say those last words to each other—whether curses or blessings.
The poem is structured as a villanelle, which seems to imply a light gay tone. This already alludes to a profound paradox: unavoidable death in the face of the perpetual rhythm of rebirth. The haunting refrains seal the poem between courage and frustration, strength and grieving. The different epithets "wise", "good", "wild", and "grave" allude to the attitudes of men in front of their last challenge. By the time the poem was written, Dylan was facing not only the severance of the last solid bond in his life – the relationship with his father – but also the imminence of his own demise. As his wife Caitlin notes in her memoirs, a sinister foreboding accompanied Dylan since his teenage years, when, after an illness, a doctor gave him four years to live. Also D.J. (his father) used to say that his son would not have reached the age of 40. The same ominous feeling informs "Poem on his Birthday", composed shortly after "Do not go gentle into that good night".
Read more about this topic: Do Not Go Gentle Into That Good Night
Famous quotes containing the word analysis:
“... the big courageous acts of life are those one never hears of and only suspects from having been through like experience. It takes real courage to do battle in the unspectacular task. We always listen for the applause of our co-workers. He is courageous who plods on, unlettered and unknown.... In the last analysis it is this courage, developing between man and his limitations, that brings success.”
—Alice Foote MacDougall (1867–1945)
“Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.”
—Thomas Mann (1875–1955)
“Cubism had been an analysis of the object and an attempt to put it before us in its totality; both as analysis and as synthesis, it was a criticism of appearance. Surrealism transmuted the object, and suddenly a canvas became an apparition: a new figuration, a real transfiguration.”
—Octavio Paz (b. 1914)