Dixon of Dock Green - Outline of Characters and Plots

Outline of Characters and Plots

The main character, Police Constable George Dixon, played by Jack Warner, was an old-style British "bobby" (policeman). The character first appeared in a 1950 British film by Ealing Studios, The Blue Lamp, in which he was shot and killed by a criminal called Tom Riley (Dirk Bogarde). However, it was decided to resurrect him for a television series, written by Ted Willis. The designer was Laurence Broadhouse.

If Dixon was known to the public, the actor Jack Warner was even better known. Born in London in 1895, Warner had been a comedian in radio and in his early film career. Starting in the early 1940s, he broadened his range to include dramatic roles, becoming a warmly human character actor in the process. But as well as playing in films with dramatic themes, such as The Blue Lamp, Warner continued to play in comedies such as the successful Huggett family programmes on BBC Radio and films made between 1948 and 1953.

In Dixon of Dock Green, Dixon is a "bobby" on the beat – lowest-ranking policeman on foot patrol. With the inevitable heart of gold, Dixon was a widower raising an only daughter, Mary (Billie Whitelaw in early episodes, later replaced by Jeanette Hutchinson). However, in The Blue Lamp, Dixon has a wife named Em (Gladys Henson) and it is mentioned that their only son, Bert, was killed in the Second World War – hence Dixon adopts a paternal aspect towards PC Andy Mitchell (Jimmy Hanley), a young policeman on his first day.

Subtitled in the early days "Some Stories of a London Policeman", each episode started with Dixon speaking to the camera. He began with a salute and the greeting "Good evening all", which was changed to "Evening all" in the early 1970s, which has lived on in Britain as a jocular greeting. In similar fashion, episodes finished with a few words to camera from Dixon in the form of philosophy on the evils of crime, before saluting and wishing the viewers "Goodnight, all". At the end of a series, Dixon would tell the audience that he was "going on holiday for a few weeks" so that they wouldn't worry about not seeing him around.

Initially, Dixon continued in the same role as in the film The Blue Lamp, a constable based at the fictitious Dock Green police station in the East End of London, which replaced Paddington Green police station from the film. The character of Andy Mitchell, the young constable in the film who embarks on a perilous quest to find and bring Tom Riley to justice, became a detective named Andy Crawford (Peter Byrne), in the CID at Dock Green, and he was married to Dixon's 23-year-old daughter, Mary, in the 19th episode, Father-in-Law (1st Sept 1956). Dixon sings a few songs at the wedding and wishes the viewers goodbye at the end of the episode (this was the end of series 2 and series 3 was four months away). The couple moved to a flat in Chelmsford.

By the final years of the series in the 1970s, Warner was getting elderly and looking increasingly implausible even in a desk job (as he had increasing difficulty moving about, helped slightly by a treatment involving bee stings). In the final series, when Warner was 80, George Dixon was shown as retired from the police and being re-employed as a civilian collator.

In 2005, the series was revived for BBC Radio, adapted by Sue Rodwell, with David Calder as George Dixon, David Tennant as Andy Crawford, and Charlie Brooks as Mary Dixon:

  • 1. London Pride
  • 2. Needle in a Haystack
  • 3. Crawford's First Pinch
  • 4. Dixie
  • 5. Rock, Roll and Rattle
  • 6. Roaring Boy

A second series followed in 2006, with Hamish Clark replacing Tennant owing to the latter's Doctor Who recording commitments:

  • 1. Little Boy Blue
  • 2. The Gentle Scratcher
  • 3. The Captain (based on the episode "The Rotten Apple")
  • 4. Andy Steps Up
  • 5. Give a Dog a Good Name
  • 6. The Key of the Nick

Read more about this topic:  Dixon Of Dock Green

Famous quotes containing the words outline of, outline, characters and/or plots:

    The beginning of an acquaintance whether with persons or things is to get a definite outline of our ignorance.
    George Eliot [Mary Ann (or Marian)

    I am fooling only myself when I say my mother exists now only in the photograph on my bulletin board or in the outline of my hand or in the armful of memories I still hold tight. She lives on in everything I do. Her presence influenced who I was, and her absence influences who I am. Our lives are shaped as much by those who leave us as they are by those who stay. Loss is our legacy. Insight is our gift. Memory is our guide.
    Hope Edelman (20th century)

    Philosophy is written in this grand book—I mean the universe—
    which stands continually open to our gaze, but it cannot be understood unless one first learns to comprehend the language and interpret the characters in which it is written. It is written in the language of mathematics, and its characters are triangles, circles, and other geometrical figures, without which it is humanly impossible to understand a single word of it.
    Galileo Galilei (1564–1642)

    Nothing aids which may not also injure us.
    Fire serves us well, but he who plots to burn
    His neighbor’s roof arms his hands with fire.
    Ovid (Publius Ovidius Naso)