The Image
Faustina stated that in her vision Jesus told her:
- "Paint an image according to the pattern you see with the signature: Jesus, I trust in You… I promise that the soul that will venerate this image will not perish."
The chaplet is associated with the paintings of the image as in Faustina's diary. The most widely used is a Polish image painted by Adolf Hyla. Hyla painted the image in thanksgiving for having survived World War II.
In the image, Jesus stands with one hand outstretched in blessing, the other clutching the side wounded by the spear, from which proceed beams of falling light, red and white in color. An explanation of these colors was given to Saint Faustina by Jesus himself saying, "The two rays represent blood and water." These colors of the rays refer to the "blood and water" referenced in the Gospel of John, (John 19:34) and which is also mentioned in the optional prayer of the Chaplet. The words “Jesus I Trust in Thee” usually accompany the image, (“Jezu Ufam Tobie” in Polish).
The original Divine Mercy image was painted by Eugene Kazimierowski in Vilnius, Lithuania under St. Faustina's direction. However, according to her diary, she cried upon seeing that the finished picture was not as beautiful as the vision she had received, but Jesus comforted her saying, "Not in the beauty of the color, nor of the brush is the greatness of this image, but in My grace." The picture was widely used during the early years of the devotion, and is still in circulation within the movement, but the Hyla image remains one of the most reproduced renderings.
Read more about this topic: Divine Mercy
Famous quotes containing the word image:
“The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.”
—Edward Gibbon (1737–1794)
“I have often thought that if photography were difficult in the true sense of the term—meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching—there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.”
—Ansel Adams (1902–1984)