Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| The Deseret News | Favorable |
| Entertainment Weekly | B |
Allmusic said that "instead of doing something calculated like emulating Nirvana or Pearl Jam—or for that matter, Nine Inch Nails or Ministry—Slayer wisely refused to sound like anyone but Slayer. Tom Araya and co. responded to the new environment simply by striving to be the heaviest metal band they possibly could." By the album's release date, vocalist Tom Araya considered it to be their best album. The album has been to the melodic excursions of Seasons in the Abyss often referred to as a comeback album because the music was much faster and more aggressive again.
Divine Intervention sold 193,000 copies in its first week, and by 2002, it sold over 400,000 copies in the US . It was reported that in the same year of its released, Kevin Kirk from the Heavy Metal Shop "ordered 1,000 copies of Slayer's Divine Intervention and sold every last album in a matter of weeks". Although it is less accessible than its predecessor Seasons in the Abyss, Rolling Stone considered it to be their most successful album as of 2001.
Read more about this topic: Divine Intervention (album)
Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)