Composition
The College Music Journal said that "the band deals almost exclusively with realism" in the album, and noted that it "shocks and splatters like a severed artery, painting crimson pictures of murders, necrophiliacs, and the ravaged, chaotic world they inhabit". Both the mixing and mastering were criticized, with guitarist Kerry King saying that the band should have "paid more attention to the mix", and Araya saying that it "is the one (if any) that he would not mind re-mastering". Tom Araya said the "album came out of the past four years of hating life".
Neil Strauss from The New York Times explained many of the album's origins. "213" was described as a "love song" by Araya, which was something they had never done before. The song was named after serial killer and sex offender Jeffrey Dahmer's old apartment number. "Dittohead", a partial tribute to Rush Limbaugh, begins by criticizing the legal system for "being too lenient on killers". The song "ended up not denouncing the system but advocating its permissiveness". "Sex, Murder, Art" was said by TheState.com to feature "roars about a maddening relationship and his 'pleasure in inflicting pain.'"
King said that the album contained origins relating to "war stories" and "explorations of madness". It is Paul Bostaph's first studio album with Slayer, resulting in Alex Henderson of Allmusic saying that it is a "positive, energizing influence on Slayer, which sounds better than ever on such dark triumphs as 'Killing Fields,' 'Serenity in Murder,' and 'Circle of Beliefs.'" Henderson also said that they "focus on the violently repressive nature of governments and the lengths to which they will go to wield power".
Read more about this topic: Divine Intervention (album)
Famous quotes containing the word composition:
“The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.”
—Mary Kay Blakely (20th century)
“Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.”
—Vladimir Nabokov (1899–1977)
“I live in the angle of a leaden wall, into whose composition was poured a little alloy of bell-metal. Often, in the repose of my mid-day, there reaches my ears a confused tintinnabulum from without. It is the noise of my contemporaries.”
—Henry David Thoreau (1817–1862)