Disk Storage - Rotation Speed and Track Layout

Rotation Speed and Track Layout

Mechanically there are two different motions occurring inside the drive. One is the rotation of the disks inside the device. The other is the side-to-side motion of the heads across the disk as it moves between tracks.

There are two types of disk rotation methods:

  • constant linear velocity (used mainly in optical storage) varies the rotational speed of the optical disc depending upon the position of the head, and
  • constant angular velocity (used in HDDs, standard FDDs, a few optical disc systems, and vinyl audio records) spins the media at one constant speed regardless of where the head is positioned.

Track positioning also follows two different methods across disk storage devices. Storage devices focused on holding computer data, e.g., HDDs, FDDs, Iomega zip drives, use concentric tracks to store data. During a sequential read or write operation, after the drive accesses all the sectors in a track it repositions the head(s) to the next track. This will cause a momentary delay in the flow of data between the device and the computer. In contrast, optical audio and video discs use a single spiral track that starts at the inner most point on the disc and flows continuously to the outer edge. When reading or writing data there is no need to stop the flow of data to switch tracks. This is similar to vinyl records except vinyl records started at the outer edge and spiraled in toward the center.

Read more about this topic:  Disk Storage

Famous quotes containing the words rotation, speed and/or track:

    The lazy manage to keep up with the earth’s rotation just as well as the industrious.
    Mason Cooley (b. 1927)

    If it be aught toward the general good,
    Set honor in one eye, and death i’th’ other,
    And I will look on both indifferently;
    For let the gods so speed me as I love
    The name of honor more than I fear death.
    William Shakespeare (1564–1616)

    Water. Its sunny track in the plain; its splashing in the garden canal, the sound it makes when in its course it meets the mane of the grass; the diluted reflection of the sky together with the fleeting sight of the reeds; the Negresses fill their dripping gourds and their red clay containers; the song of the washerwomen; the gorged fields the tall crops ripening.
    Jacques Roumain (1907–1945)