A disaster film is a film genre that has an impending or ongoing disaster (such as a damaged airliner, fire, shipwreck, disease, an asteroid collision or natural calamities) as its subject. Along with showing the spectacular disaster, these films concentrate on the chaotic events surrounding the disaster, including efforts for survival, the effects upon individuals and families, and 'what-if' scenarios.
These films typically feature large casts of well-known actors and multiple plotlines, focusing on the characters' attempts to avert, escape or cope with the disaster and its aftermath. The genre had its greatest box office success during the 1970s with the release of Airport (1970), followed in quick succession by The Poseidon Adventure (1972), Earthquake (1974) and The Towering Inferno (1974).
The casts were generally made up of familiar character actors. Once the disaster begins in the film, the characters are usually confronted with human weaknesses, often falling in love and nearly almost always finding a villain to blame. In the '90s, a whole new style of disaster films hit the cinema, boasting increased CGI and big budgets. Letting go of the more character-centred human dramas of the '70s, films like Dante's Peak (1997) and Armageddon (1998) focused more on destruction.
Most disaster films have large-scale special effects (especially in the recent big budgeted films), huge casts of stars faced with the crisis and a persevering hero or heroine (Charlton Heston, Steve McQueen, etc.) called upon to lead the struggle against the threat, and many plot-lines affecting multiple characters. In many cases, the 'evil' or 'selfish' individuals are the first to succumb to the conflagration.
Disasters have been the subject of film-goers' fascination since the time of silent film epics, and this interest continues to exist up to the present time.
Read more about Disaster Film: Origins, 1970s, Genre Revival, Literary Sources
Famous quotes containing the words disaster and/or film:
“Therefore it was surprising that, as we kept the newspapers from
Mother,
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Murmuring, in her sleep as it seemed, the ancient slogan
Noblesse oblige.”
—Josephine Miles (19111985)
“You should look straight at a film; thats the only way to see one. Film is not the art of scholars but of illiterates.”
—Werner Herzog (b. 1942)