Origin of The Phrase
Traditionally, the "director's cut" is not, by definition, the director's ideal or preferred cut. The editing process of a film is broken into three basic stages: First is the rough cut, which matches the script without any reductions. Second, the editor's cut, which is reduced from the rough cut, according to the editor's tastes. Third is the final cut, which actually gets released or broadcast. It is often the case that a director approves of the final cut, and even prefers it to the so-called earlier "director's cut." The director's cut may include unsatisfactory takes, a preliminary soundtrack, a lack of desired pick-up shots etc., which the director would not like to be shown.
For example, the director's cut of Pat Garrett and Billy the Kid was 122 minutes long. It was then trimmed to the final/released cut of 105 minutes. Although not complete or refined to his satisfaction, director Sam Peckinpah still preferred the director's cut, as it was more inclusive and thorough than the 105-minute cut. The restored cut, at 115 minutes, is thus not the traditional "director's cut," but is closest to the director's preferred version, as it was reconstructed based on Peckinpah's notes, and according to his style in general. In this case, the director's cut and the director's ideal preferred cut are distinctly separate versions.
Considering this definition, Alien: The Director's Cut, for example, is simply a misuse of the phrase. As Ridley Scott explains in the DVD insert, the 2003 cut of Alien was created at the request of 20th Century Fox, who wanted to re-release Alien in a form that was somehow altered or enhanced. Scott agreed, and settled on making an alternative cut of the film. He describes it simply as a second version that he is also satisfied with, even though the original released cut is still his preferred version. In contrast, the director's cut of Scott's Kingdom of Heaven (which was a commercial failure in its 2005 theatrical release) is the true version of the film Scott wanted, nearly an hour longer and has been met with more critical acclaim than the original version.
Read more about this topic: Director's Cut
Famous quotes containing the words origin of the, origin of, origin and/or phrase:
“The real, then, is that which, sooner or later, information and reasoning would finally result in, and which is therefore independent of the vagaries of me and you. Thus, the very origin of the conception of reality shows that this conception essentially involves the notion of a COMMUNITY, without definite limits, and capable of a definite increase of knowledge.”
—Charles Sanders Peirce (1839–1914)
“The essence of morality is a questioning about morality; and the decisive move of human life is to use ceaselessly all light to look for the origin of the opposition between good and evil.”
—Georges Bataille (1897–1962)
“Good resolutions are useless attempts to interfere with scientific laws. Their origin is pure vanity. Their result is absolutely nil. They give us, now and then, some of those luxurious sterile emotions that have a certain charm for the weak.... They are simply cheques that men draw on a bank where they have no account.”
—Oscar Wilde (1854–1900)
““Five o’clock tea” is a phrase our “rude forefathers,” even of the last generation, would scarcely have understood, so completely is it a thing of to-day; and yet, so rapid is the March of the Mind, it has already risen into a national institution, and rivals, in its universal application to all ranks and ages, and as a specific for “all the ills that flesh is heir to,” the glorious Magna Charta.”
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)