Diminished Seventh Chord

A diminished seventh chord is a four note chord that comprises a diminished triad plus the interval of a diminished seventh (alternatively regarded enharmonically as a major sixth) above the root. Thus it is (1, ♭3, ♭5, 7), or enharmonically (1, ♭3, ♭5, 6), of any minor scale; for example, C diminished-seventh would be (C, E♭, G♭, B), or enharmonically (C, E♭, G♭, A). It occurs as a leading-tone seventh chord in harmonic minor and can be represented by the integer notation {0, 3, 6, 9}.

Because of this it can also be viewed as four notes all stacked in intervals of a minor third. The diminished seventh contains two diminished fifths, which often resolve inwards.

In most sheet music books, Cdim or C° denotes a diminished seventh chord with root C; but it may also happen, mostly in modern jazz books and some music theory literature, that Cdim or C° denotes a diminished triad chord, while Cdim7 or C°7 denotes a diminished seventh chord.

Read more about Diminished Seventh Chord:  Uses, Diminished Seventh Root, Inversions, Diminished Seventh Chord Table

Famous quotes containing the words diminished, seventh and/or chord:

    A toothache, or a violent passion, is not necessarily diminished by our knowledge of its causes, its character, its importance or insignificance.
    —T.S. (Thomas Stearns)

    The seventh day of Christmas,
    My true love sent to me
    Seven swans a-swimming.
    —Unknown. The Twelve Days of Christmas (l. 34–36)

    Love took up the glass of Time, and turned it in his glowing hands;
    Every moment, lightly shaken, ran itself in golden sands.
    Love took up the harp of Life, and smote on all the chords with
    might;
    Smote the chord of Self, that, trembling, passed in music out of sight.
    Alfred Tennyson (1809–1892)