Digital Signage - Standards

Standards

The ITU published a whitepaper in which SMIL is cited as "a key standard for the digital signage industry," and that SMIL "is increasingly supported by leading digital signage solution providers." It is reported that SMIL players are deployed for nearly 100,000 screens in year 2011, and a single software maker has won three major projects each deploying more than 1,000 SMIL players in the same period.

POPAI has released several digital signage standards to promote "interoperability between different providers". The objective of these standards documents is to establish a foundation of performance and behavior that all digital signage systems can follow. The current set of standards published by POPAI are:

  • "Screen-Media Formats" specifies the file formats that digital signage systems should support.
  • "POPAI Digital Signage Device RS-232 Standards"
  • "POPAI Digital Signage Playlog Standards V 1.1"
  • "Digital Control Commands"
  • "Industry Standards of Digital Signage Terms"

Read more about this topic:  Digital Signage

Famous quotes containing the word standards:

    “The home is a woman’s natural background.... From the beginning I tried to have the policy of the store reflect as nearly as it was possible in the commercial world, those standards of comfort and grace which are apparent in a lovely home.”
    —Hortense Odlum (1892–?)

    “Chief among our gains must be reckoned this possibility of choice, the recognition of many possible ways of life, where other civilizations have recognized only one. Where other civilizations give a satisfactory outlet to only one temperamental type, be he mystic or soldier, business man or artist, a civilization in which there are many standards offers a possibility of satisfactory adjustment to individuals of many different temperamental types, of diverse gifts and varying interests.”
    —Margaret Mead (1901–1978)

    “In full view of his television audience, he preached a new religion—or a new form of Christianity—based on faith in financial miracles and in a Heaven here on earth with a water slide and luxury hotels. It was a religion of celebrity and showmanship and fun, which made a mockery of all puritanical standards and all canons of good taste. Its standard was excess, and its doctrines were tolerance and freedom from accountability.”
    —New Yorker (April 23, 1990)