Career
Among his early musical influences was his uncle. According to Dale, “My uncle taught me how to play the tarabaki, and I watched him play the oud. We used to play at the Maharjan” (a Lebanese nightspot in Boston) “while relatives belly-danced.” His early tarabaki drumming would later have a major influence on his guitar playing, particularly his rapid alternating picking technique. According to Dale, “It’s the pulsation,” stating that whether he is playing the guitar, trumpet, or piano, “they all have that drumming beat I learned by playing the tarabaki.”
Dale is often credited as one of the first electric guitarists to employ fast scales in his playing. Dale himself was a surfer and wanted his music to reflect the sounds he heard in his mind while surfing. While he is primarily known for introducing the use of guitar reverb that would give the guitar a "wet" sound, which has since become a staple of surf music, it was Dale's staccato picking that was his trademark. Since Dale is left-handed, he was initially forced to play a right-handed model but then went to a left handed model. However, he did so without restringing the guitar, leading him to effectively play the guitar upside-down (while Hendrix would restring his guitar), often playing by reaching over the fretboard rather than wrapping his fingers up from underneath. Dale is also noted for playing his percussive, heavy bending style, using what are, for most guitarists, extremely heavy gauge string sets (16p, 18p, 20p. 38w, 48w, 58w; guitar string manufacturers do not make string sets for standard tuned electric guitars heavier than 13 to 56).
His desire to create a certain sound led him to push the limits of equipment.
| “ | Leo Fender kept giving Dale amps and Dale kept blowing them up! Till one night Leo and his right hand man Freddy T. (Freddie Tavares) went down to the Rendezvous Ballroom on the Balboa Peninsula in Balboa, California and stood in the middle of four thousand screaming and dancing Dick Dale fans, and said to Freddy, I now know what Dick Dale is trying to tell me. They went to JBLJames B. Lansing loudspeaker company and explained that they wanted a fifteen inch loudspeaker built to their specifications. The unit became famous as the 15" JBL D130F model. It made the complete package for Dale to play through and was named the Single Showman Amp. When Dale plugged his Fender Stratocaster guitar into the new Showman Amp and loudspeaker cabinet, Dale became the first person on earth to jump from the volume scale of a modest quiet guitar player (on a scale of 4) to blasting up through the volume scale to TEN! That is when Dale became the "Father of Heavy Metal" as quoted from Guitar Player magazine. Dale broke through the electronic barrier limitations of that era! | ” |
During a six-month period that began July 1, 1961, Dale's performances at the Rendezvous Ballroom in Balboa are credited with the creation of the surf music phenomenon. Dale asked for and gained permission to use the 3,000 person capacity ballroom for surfer dances after overcrowding at a local ice cream parlor, where he performed, caused him to seek other venues. The Rendezvous ownership and city of Newport Beach agreed to Dale's request only on the condition that alcohol sales would be prohibited and a dress code implemented. Dale's events at the ballrooms, called "stomps", quickly became legendary and the ballroom was routinely sold out.
Paul Johnson, guitarist for the contemporary group The Bel-Airs, recalled the electric atmosphere of the shows:
| “ | I remember making the trek to the Rendezvous in the summer of '61 to see what all the fuss was about over Dick Dale. It was a powerful experience; his music was incredibly dynamic, louder and more sophisticated than The Belairs, and the energy between The Del-Tones and all of those surfers stomping on the hardwood floor in their sandals was extremely intense. The tone of Dale's guitar was bigger than any I had ever heard, and his blazing technique was something to behold. | ” |
"Let's Go Trippin'" is often regarded as the first surf rock song. This was followed by more locally released songs, including "Jungle Fever" and "Surf Beat" on his own Deltone label. His first full-length album was Surfers' Choice in 1962. The album was picked up by Capitol Records and distributed nationally, and Dale soon began appearing on The Ed Sullivan Show, and in films where he played his signature single "Misirlou". He later stated, "I still remember the first night we played it ("Misirlou"). I changed the tempo, and just started cranking on that mother. And...it was eerie. The people came rising up off the floor, and they were chanting and stomping. I guess that was the beginning of the surfer's stomp." His second album was named after his performing nickname, King of the Surf Guitar.
Surf rock's national popularity was somewhat brief, as the British Invasion began to overtake the American charts in 1964. Though he continued performing live, Dale was soon set back by rectal cancer. In the liner notes of Better Shred Than Dead: The Dick Dale Anthology, the thought, "Then you'll never hear surf music again," was Jimi Hendrix's reaction upon hearing that Dale had a possibly terminal case of colon cancer, intended to encourage his comrade to recuperate. Dale, in gratitude to his late friend, later covered "Third Stone from the Sun" as a tribute to Hendrix. Though he recovered, he retired from music for several years. In 1979, he almost lost a leg after being injured while swimming and a pollution-related infection made the mild injury much worse. As a result, Dale became an environmental activist and soon began performing again. He recorded a new album in 1986 and was nominated for a Grammy. In 1987 he appeared in the movie Back to the Beach, playing surf music and performing "Pipeline" with Stevie Ray Vaughan. In 1993 he recorded a guitar solo on the track "Should Have Known" by Southern California indie band The Pagodas which was released as a vinyl single. The use of "Misirlou" in the 1994 Quentin Tarantino film Pulp Fiction gained him a new audience.
In 1995, he recorded a surf-rock version of Camille Saint-Saëns's "Aquarium" from The Carnival of the Animals for the musical score of the enclosed roller coaster, Space Mountain at Disneyland in Anaheim, California. In 1997, Dale appeared in the campy cult film An American Vampire Story, performing a rousing guitar solo on the beach with his son on drums. In 2002, Dale appeared in The True Meaning of Christmas Specials, playing several original songs for the program.
The National Hockey League's Colorado Avalanche use Dale's song "Scalped" as their theme song. The Black Eyed Peas' song "Pump It" (from the 2005 album Monkey Business) heavily samples Dale's "Misirlou". "Misirlou" is also featured in the PlayStation 2/Xbox 360 video game, Guitar Hero II, as well as the Wii video game Rayman Raving Rabbids. In the feature film Space Jam, as Elmer Fudd and Yosemite Sam shoot out teeth from one of the Monstars, a clip from "Misirlou" is played.
Dale is a 2011 inductee into the Surfing Walk of Fame in Huntington Beach, California, in the Surf Culture category.
Read more about this topic: Dick Dale
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