History
Diatonic scales are the foundation of the European musical tradition. Western harmony from the Renaissance until the late 19th century is based on the diatonic scale and the unique hierarchical relationships, or diatonic functionality, created by this system of organizing seven notes.
The modern major and minor scales are diatonic, as were all of the 'church modes'. What are now called major and minor were in reality - during the medieval and Renaissance periods - only two of seven modes ('church modes') based on the same diatonic notes (but forming different scales when the starting note was changed). Depending on which of the seven notes is used as the beginning, the positions of the intervals, the half-steps, end at different distances from the starting tone, hence obtaining seven different scales or modes that are, as already mentioned, deduced from the diatonic scale. By the start of the Baroque period, the notion of musical key was established—based on a central triad rather than a central tone. Major and minor scales came to dominate until at least the start of the 20th century, partly because their intervallic patterns are suited to the reinforcement of a central triad. Some church modes survived into the early 18th century, as well as appearing occasionally in classical and 20th century music, and later in modal jazz.
Read more about this topic: Diatonic Scale
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