Depictions in Popular Culture
In the 1999 Irish dance show, "Dancing on Dangerous Ground", Diarmuid was portrayed by former Riverdance lead, Colin Dunne.
Diarmuid appears as Lancer in the 2006 novel Fate/zero and its anime adaptation, wielding his two spears Gáe Buide and Gáe Derg. Supplemental material indicates that his Master may have intended to summon Diarmuid as Saber, in which case he would instead have wielded the two swords Moralltach and Beagalltach. In Fate/zero, Diarmuid's magical love spot appears below his right eye rather than on his forehead.
In the movie Leap Year (2010), the character Declan O'Callaghan tells Anna Brady the story of Diarmuid's love affair as they look at Ballycarbery Castle once reaching the train station in County Tipperary.
Read more about this topic: Diarmuid Ua Duibhne
Famous quotes containing the words popular culture, depictions, popular and/or culture:
“Popular culture is seductive; high culture is imperious.”
—Mason Cooley (b. 1927)
“Surely, of all creatures we eat, we are most brutal to snails. Helix optera is dug out of the earth where he has been peacefully enjoying his summer sleep, cracked like an egg, and eaten raw, presumably alive. Or boiled in oil. Or roasted in the hot ashes of a wood fire.... If God is a snail, Boschs depictions of Hell are going to look like a vicarage tea-party.”
—Angela Carter (19401992)
“For the people in government, rather than the people who pester it, Washington is an early-rising, hard-working city. It is a popular delusion that the government wastes vast amounts of money through inefficiency and sloth. Enormous effort and elaborate planning are required to waste this much money.”
—P.J. (Patrick Jake)
“To be a Negro is to participate in a culture of poverty and fear that goes far deeper than any law for or against discrimination.... After the racist statutes are all struck down, after legal equality has been achieved in the schools and in the courts, there remains the profound institutionalized and abiding wrong that white America has worked on the Negro for so long.”
—Michael Harrington (19281989)