Diane Arbus ( /diːˈæn ˈɑrbəs/; March 14, 1923 – July 26, 1971) was an American photographer and writer noted for black-and-white square photographs of "deviant and marginal people (dwarfs, giants, transgender people, nudists, circus performers) or of people whose normality seems ugly or surreal.". Diane believed that a camera could be “a little bit cold, a little bit harsh” but its scrutiny revealed the truth; the difference between what people wanted others to see and what they really did see – the flaws. A friend said that Arbus said that she was "afraid . . . that she would be known simply as 'the photographer of freaks'"; however, that phrase has been used repeatedly to describe her.
In 1972, a year after she committed suicide, Arbus became the first American photographer to have photographs displayed at the Venice Biennale. Millions of people viewed traveling exhibitions of her work in 1972–1979. Between 2003 and 2006, Arbus and her work were the subjects of another major traveling exhibition, Diane Arbus Revelations. In 2006, the motion picture Fur, starring Nicole Kidman as Arbus, presented a fictional version of her life story.
Although some of Arbus's photographs have sold for hundreds of thousands of dollars at auction, Arbus's work has provoked controversy; for example, Norman Mailer was quoted in 1971 as saying "Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child." Others have, however, pointed out that Mailer was dissatisfied with a picture of him holding his crotch taken by Arbus which appeared in the New York Times Book Review.
Read more about Diane Arbus: Personal Life, Photographic Career, Death, Notable Photographs, Notable Magazine Articles, Legacy, Reactions of Critics and Others, Notable Solo Exhibitions
Famous quotes by diane arbus:
“It gets to seem as if way back in the Garden of Eden after the Fall, Adam and Eve had begged the Lord to forgive them and He, in his boundless exasperation, had said, ‘All right, then. Stay. Stay in the Garden. Get civilized. Procreate. Muck it up.’ And they did.”
—Diane Arbus (1923–1971)
“Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.”
—Norman Mailer (b. 1923)
“If I were just curious, it would be very hard to say to someone, ‘I want to come to your house and have you talk to me and tell me the story of your life.’ I mean people are going to say, ‘You’re crazy.’ Plus they’re going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that’s a reasonable kind of attention to be paid.”
—Diane Arbus (1923–1971)