Release and Aftermath
The record was Bowie's glam swansong; according to author David Buckley, "In the sort of move which would come to define his career, Bowie jumped the glam-rock ship just in time, before it drifted into a blank parody of itself". At the time of its release Bowie described Diamond Dogs as "a very political album. My protest ... more me than anything I've done previously". Disc magazine compared the album to The Man Who Sold the World (1970), while Rock and Sounds both described it as his "most impressive work ... since Ziggy Stardust". It made #1 in the UK charts and #5 in the US (where the song "Rebel Rebel" proved popular), Bowie's highest stateside placing to that date. In Canada, it was able to repeat its British chart-topping success, hitting #1 on the RPM 100 national albums chart in July 1974 and holding it for two weeks.
Diamond Dogs' raw guitar style and visions of urban chaos, scavenging children and nihilistic lovers ("We'll buy some drugs and watch a band / And jump in the river holding hands") have been credited with anticipating the punk revolution that would take place in the following years. Bowie himself has described the Diamond Dogs, introduced in the title song, as: "all little Johnny Rottens and Sid Viciouses really. And, in my mind, there was no means of transport, so they were all rolling around on these roller-skates with huge wheels on them, and they squeaked because they hadn't been oiled properly. So there were these gangs of squeaking, roller-skating, vicious hoods, with Bowie knives and furs on, and they were all skinny because they hadn't eaten enough, and they all had funny-coloured hair. In a way it was a precursor to the punk thing."
Bowie played all of the album's songs except "We Are the Dead" on his 1974 US tour (recorded and released as David Live). "Rebel Rebel" has featured on almost every Bowie tour since, "Diamond Dogs" was performed for the 1976 Station to Station and 1995-96 Outside tours, and "Big Brother/Chant of the Ever Circling Skeletal Family" was resurrected for the 1987 Glass Spider Tour.
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Famous quotes containing the words release and, release and/or aftermath:
“We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.”
—Elizabeth Drew (1887–1965)
“An inquiry about the attitude towards the release of so-called political prisoners. I should be very sorry to see the United States holding anyone in confinement on account of any opinion that that person might hold. It is a fundamental tenet of our institutions that people have a right to believe what they want to believe and hold such opinions as they want to hold without having to answer to anyone for their private opinion.”
—Calvin Coolidge (1872–1933)
“The aftermath of joy is not usually more joy.”
—Mason Cooley (b. 1927)