Reception
Film critics generally gave Derrida positive reviews; the film has an 82% "fresh" rating on Rotten Tomatoes. Kenneth Turan of The Los Angeles Times praised the film for its sophisticated style and said it was "the cinematic equivalent of a mind-expanding drug" while Film Threat's Tim Merrill described it as "a priceless historical record." Other critics, like The Guardian's Peter Bradshaw, found the film whimsical and entertaining but lamented Derrida's evasive and mysterious demeanor.
Derrida received the Golden Gate Award at the 2002 San Francisco Film Festival and screened in competition for the Grand Jury Prize at the 2002 Sundance Film Festival.
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