Dermot Bolger - Research Work About The Author

Research Work About The Author

  • La réécriture de l'histoire dans les Romans de Roddy Doyle, Dermot Bolger et Patrick McCabe by Alain Mouchel-Vallon (PhD thesis, 2005, Reims University, France).
  • The State of the Nation: Paradigms of Irishness in the Drama and Fiction of Dermot Bolger by Damien Shortt (PhD thesis, 2006, Mary Immaculate College, University of Limerick, Ireland)
  • Ryan, Ray. Ireland and Scotland: Literature and Culture, State and Nation, 1966-2000. Oxford University Press, 2002.
  • Paschel, Ulrike: No mean city? : the image of Dublin in the novels of Dermot Bolger, Roddy Doyle and Val Mulkerns. - Frankfurt am Main : Lang, 1998. – X, 170 S. - (Aachen British and American studies ; 1). ISBN 3-631-33530-X
  • Merriman, Vic: Staging contemporary Ireland : heartsickness and hopes deferred. In: The Cambridge companion to contemporary Irish drama / Shaun Richards, ed. - Cambridge : Cambridge Univ. Pr., 2004 ; pp. 244–257 (On The lament for Arthur Cleary, 1989)
  • Murphy, Paul: Inside the immigrant mind : nostalgic versus nomadic subjectivities in late twentieth-century Irish drama. In: Australasian drama studies, 43 (2003, Oct), pp. 128–147 (On A Dublin quartet)
  • Tew, Philip: The lexicon of youth in Mac Laverty, Bolger, and Doyle : Theorizing contemporary Irish fiction via Lefebvre's Tenth Prelude. In: Hungarian Journal of English and American Studies, 5:1 (1999), pp. 181–197
  • Harte, Liam: A kind of scab : Irish identity in the writings of Dermot Bolger and Joseph O'Connor. In: Irish studies review, 20 (1997 autumn), pp. 17–22
  • MacCarthy, Conor: Ideology and geography in Dermot Bolger's The Journey home. In: Irish university review: A journal of Irish studies, 27:1 (1997 Spring-Summer), pp. 98–110
  • Merriman, Vic: Centring the wanderer : Europe as active imaginary in contemporary Irish theatre. In: Irish university review: a journal of Irish studies, 27:1 (1997 Spring-Summer), pp. 166–181 (On The Lament of Arthur Cleary)
  • Aragay, Mireia: Reading Dermot Bolger's The Holy Ground : national identity, gender and sexuality in post-colonial Ireland. In: Links and letters, 4 (1997), pp. 53–64
  • Turner, Tramble T.: Staging signs of gender. In: Semiotics 1994: Annual proceedings volumes of the Semiotic Society of America. 19 / John Deely (ed.) ... New York : Lang, 1995. pp. 335–344 (On The lament for Arthur Cleary, 1989)
  • Dantanus, Ulf.: Antæus in Dublin? In: Moderna språk (97:1) 2003, pp. 37–52.
  • Battaglia, Alberto.: Dublino: oltre Joyce. Milan: Unicopli, 2002. pp. 130. (Città letterarie)
  • Dumay, Émile-Jean.: Dermot Bolger dramaturge. In: Études irlandaises (27:1) 2002, pp. 79–92.
  • Dumay, Émile-Jean.: La subversion de la nostalgie dans The Lament for Arthur Cleary de Dermot Bolger. In: Études irlandaises (21:2) 1996, pp. 111–23.
  • Fiérobe, Claude: Irlande et Europe 1990: The Journey Home de Dermot Bolger. In: Études irlandaises (19:2) 1994, pp. 41–49.
  • Kearney, Colbert: Dermot Bolger and the dual carriageway. In: Études irlandaises (19:2) 1994, pp. 25–39.
  • Shortt, Damien: A River Runs Through It: Irish History in Contemporary Fiction, Dermot Bolger and Roddy Doyle. In: No Country for Old Men : Fresh Perspectives on Irish Literature / Paddy Lyons ; Alison O'Malley-Younger(eds.).Frankfurt am Main - Oxford u.a. : Lang, 2009. pp. 123–141. (Reimagining Ireland ; 4)
  • Murphy, Paula:From Ballymun to Brazil: Bolger's Postmodern Ireland. In: Modernity and Postmodernity in a Franco-Irish Context / Eamon Maher ... (eds.). - Frankfurt am Main : Lang, 2008. pp. 161–178. (Studies in Franco-Irish Relations ; 2)
  • Shortt, Damien: Dermot Bolger: Gender Performance and Society. In: New Voices in Irish literary Criticism / Paula Murphy ... (eds.). - Lewiston, N.Y.; Lampeter : Edwin Mellen, 2007. pp. 151–166.
  • Brihault, Jean: Dermot Bolger, romancier de la mondialisation ? In: Issues of globalisation and secularisation in France and Ireland / Yann Bévant ... (eds.). - Frankfurt, M. : Lang, 2009. pp. 101–122. (Studies in Franco-Irish Relations ; 3)
  • Wald, Christina: Dermot Bolger. In: The Methuen drama guide to contemporary Irish playwrights / ed. by Martin Middeke ... - London : Methuen Drama, 2010. pp. 19–36
  • Shortt, Damien: Who put the ball in the English net: the privatisation of Irish postnationalism in Dermot Bolger's In High Germany. In: Redefinitions of Irish identity: a postnationalist approach / Irene Gilsenan Nordin ; Carmen Zamorano Llena (eds.). - Frankfurt, M. : Lang, 2010. pp. 103–124. (Cultural identity studies ; 12)
  • Imhof, Rüdiger: Dermot Bolger. In: The Modern Irish Novel : Irish Novelists after 1945 / Rüdiger Imhof. - Dublin : Wolfhound Press, 2002. pp. 267-285
  • Murphy, Paula: 'Scattering us like seed': Dermot Bolger's postnationalist Ireland. In: Redefinitions of Irish identity: a postnationalist approach / Irene Gilsenan Nordin ; Carmen Zamorano Llena (eds.). - Frankfurt, M. : Lang, 2010. pp. 181-199. (Cultural identity studies ; 12)
  • Schreiber, Mark: Playing it out - football and Irishness in contemporary Irish drama. In: Ireland in drama, film, and popular culture : Festschrift for Werner Huber / Sandra Mayer ; Julia Novak ; Margarete Rubik (eds.). - Trier : WVT Wissenschaftlicher Verl. Trier, 2012. pp. 83-89.

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