Story
Further information: Der Ring des Nibelungen: Composition of the poem, Das Rheingold, Die Walküre, Siegfried (opera), and GötterdämmerungThe plot revolves around a magic ring that grants the power to rule the world, forged by the Nibelung dwarf Alberich from gold he stole from the Rhine maidens in the river Rhine. With the assistance of Loge, Wotan — the chief of the gods — steals the Ring from Alberich, but is forced to hand it over to the giants, Fafner and Fasolt. Wotan's schemes to regain the Ring, spanning generations, drive much of the action in the story. His grandson, the mortal Siegfried, wins the ring — as Wotan intended — but is eventually betrayed and slain as a result of the intrigues of Alberich's son Hagen. Finally, the Valkyrie Brünnhilde — Siegfried's lover and Wotan's estranged daughter — returns the ring to the Rhine maidens. In the process, the gods and their home, Valhalla, are destroyed.
Details of the storylines can be found in the articles on each opera.
Wagner created the story of the Ring by fusing elements from many German and Scandinavian myths and folk tales. The Old Norse Eddas supplied much of the material for Das Rheingold, while Die Walküre was largely based on the Völsungasaga. Siegfried contains elements from the Eddur, the Völsungasaga and Thidrekssaga. The final opera, Götterdämmerung, draws from the 12th century High German poem known as the Nibelungenlied, which appears to have been the original inspiration for the Ring.
The Ring has been the subject of myriad interpretations. For example, George Bernard Shaw, in The Perfect Wagnerite, argues for a view of The Ring as an essentially socialist critique of industrial society and its abuses. Robert Donington in Wagner's Ring And Its Symbols interprets it in terms of Jungian psychology, as an account of the development of unconscious archetypes in the mind, leading towards individuation.
Read more about this topic: Der Ring Des Nibelungen
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