Production
The initial setting of the film is in Akihabara, Tokyo.
Mark Schilling of The Japan Times comments that "since Fuji TV intends Densha Otoko for prime-time broadcast, Hermess (Nakatani) can only suggest a big sisterly friendliness and affection, meaning that the sexual chemistry between her and Train Man (Yamada) is zero". Pop Culture Shock's Erin Finnegan reported, "when asked if the original novel would ever be imported, manga industry reps at New York Comic Con lamented that 2chan's version of l33t is nearly impossible to translate." The fansite compiling the posts which became the book has been translated into other languages by fans of the story, including into English in 2006. President and CEO for Viz Pictures, Seiji Horibuchi, comments that the film Train Man: Densha Otoko "will make people think fondly about their own first experiences with love and the thrill and rush it caused. Perhaps it will even inspire a few to take a chance on someone they like!"
For Densha Otoko, two manga versions were seinen (geared toward young men); one was shōnen (for boys); and one was shōjo (for girls). Del Rey Manga licensed the shōjo version from Kodansha, with which it has strong ties. Viz Media licensed a seinen version, and CMX licensed the shōnen version. The fourth version (seinen) is currently being scanlated by the online scanlation group the Waffle House. —Kai-Ming Cha, Publishers WeeklyRead more about this topic: Densha Otoko
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“By bourgeoisie is meant the class of modern capitalists, owners of the means of social production and employers of wage labor. By proletariat, the class of modern wage laborers who, having no means of production of their own, are reduced to selling their labor power in order to live.”
—Friedrich Engels (1820–1895)
“... if the production of any commodity necessitates the sacrifice of human life, society should do without that commodity, but it can not do without that life.”
—Emma Goldman (1869–1940)